
A Fine American Folk Art Cigar Silk Quilt
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A Fine American Folk Art Cigar Silk Quilt
About the Item
Dated 1903
The diamond-shaped pineapple log cabin designed quilt is composed of cigar silk bands or silkies from a wide variety of different brands. The quilt is beautifully composed and quilted.
These bands were originally used to hold together bundles of cigars and were Cigar company giveaways and were often collected to be used for quilting purposes.
Dimensions: Top to bottom: 42 inches; sides 32 inches
The cigar brands include Blackstone, Harvard Payson Tucker, Drive, Star Eagle, The Morse, Lyceum Bouquet, Home Industry, Luce's Leader, Little Gold Dust, Reina Fina, Great Sachem, Little Wizard, Juniors, Annie Clarke, Londres Imperial, Drive, New Deal, The Somersworth, La Normandi, Number 7, The Barrister,- Londres Grande, Yellow Kid, M.C.A. Country Gentleman, Berwick, J.W.A., Spider, TRegalia Pricesus, A.L., Paymaster, Ampurdanes, The Irwin, Maine, Parrot, General Frentont, E. & E. Londres, Perfectos, Stradella, Onion, Number 7, Flying Dude, The Clinton, Commonwealth Londres, Arecibo Porto Rico, A.F.C., amongst others.
- Dimensions:Height: 35 in (88.9 cm)Diameter: 42 in (106.68 cm)
- Place of Origin:
- Period:
- Date of Manufacture:Dated 1903
- Condition:Good Very slight degradation of silk in a couple of plates.
- Seller Location:Downingtown, PA
- Reference Number:Seller: NY74371stDibs: U1107318610232
About the Seller
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American portrait miniature by Thomas Story Officer,
Woman in a White Gown,
Signed "T.S. Officer, Pinxt",
The 1830s
The American portrait miniature signed by Thomas Story Officer depicts a beautiful young woman, her red hair “Coeffure a la Chinoise”, sitting in a red chair confidently looking out towards the painter and us, the viewers. She wears a white dress with a pin in the center of her chest. Based on her style of dress and her hair, we believe this was painted while Officer was in Philadelphia.
It is signed to the lower right "T.S. Officer, Pinxt" along at edge.
The reverse has a small oval glass
Dimensions: 3 inches high x 2 3/16 inches wide x 1/4 inch deep
Reference: Thomas S. Officer: Miniature and Portrait Painter, Gardner Library,
Author: Merri Lou Schaumann.
Born in Carlisle in 1810, this gifted artist trained in Philadelphia, traveled extensively and won awards for his paintings.
In 1872, James Miller McKim wrote a series of reminiscences for the Carlisle Herald newspaper about the places and people of Carlisle in an earlier day. He wrote that “David Smith, a boot and shoemaker, had two sons… one of whom early developed a taste for art and finally devoted himself to miniature painting as a profession. He was a contemporary, and for a while, a rival of Mr. Thomas Officer, though I believe he never reached the celebrity attained by that gifted young artist. Mr. Officer, by the way, was one of the last miniature painters of any eminence produced by this country, the daguerreotype and photographer having come in to sweep away the entire profession.”
Thomas Story Officer was born in Carlisle on August 15, 1810, to cabinetmaker John Officer and his second wife Margaret. He trained in Philadelphia with the well-known portrait painter Thomas Sully and began his career there in the 1830s. Officer left Philadelphia occasionally to paint portraits in Mobile, Alabama in 1837, in Richmond, Virginia in 1845, and in New York City from 1846-1849 where he became a member of the National Academy of Design.
In 1842, Officer intended to travel to Mexico and needed a passport. He asked Attorney Charles B. Penrose, formerly of Carlisle, to write a letter of recommendation for him. In his letter to Fletcher Webster, Esq., Penrose wrote, “This will be handed to you by Thomas S. Officer, Esq., a friend of mine, and a native artist of Pennsylvania, who is a gentleman of great talents and respectability. Intending to visit Mexico, he wishes to procure passports at the State Department…” Officer was issued a passport in July 1842. He was described as 30 years old, 5’ 11” with a “full and round forehead, bluish-gray eyes, an ordinary nose, medium mouth, ordinary chin, sallow complexion with an oval face and brown hair.”
Officer went to Mexico and later to Australia. In 1854, he opened a studio in Sandridge, Australia, and while there he “entered several oil portraits in the 1854 Melbourne Exhibition preparatory to sending them to the 1855 Paris Exhibition.” Officer left Australia, and in 1855 he settled in San Francisco where he would spend the last years of his life.
He set up a portrait painting department in James Johnson’s photographic gallery in San Francisco. In 1857, Officer received a bronze medal for his oil portraits exhibited at The First Industrial Exhibition of the Mechanics’ Institute of San Francisco, as well as awards at several other exhibits in 1858.
A short piece in the San Francisco newspaper, Alta, on October 30, 1859, read, “Mr. Thomas S. Officer, the talented portrait painter, lies near to death’s door and is in pecuniary distress. Out of the many to whose pleasure he has contributed by his gay, social manners, as well as by his pleasing artistic productions, may there not be found someone who will extend a helping hand?” Officer died on December 8, 1859. Almost an entire column in the January 18, 1860 edition of the Carlisle Herald, was devoted to a very long and informative obituary of Officer taken from the Alta, California newspaper. Officer was buried in the now defunct Lone Mountain Cemetery in San Francisco.
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