African Nigeria Epa Helmit Mask with Provenance

A tall Ibibio wood mask from Nigeria, Africa, circa 20th century. The head mask was carved in with a frontal face with pierced eyes and a gapping mouth. On his head, a stylized hat ...

A yam ancestor TOTEM pole from the mid-Sepik River region of Papua New Guinea. Carved out of a solid wood by the Abelam people, who cultivated yams as their main crop, the pole featu...

A Helmet Mask known as Bwoon from the Kuba Tribe in the Kasai region of Democratic Republic of the Congo, Central Africa circa mid-20th century. The carved wood mask was decorated with copper plates on the face, and lavished embellished with trade beads, raffia cloth with cowrie shells and hanging seed pods, fur possibly from monkey. The surface and the interior both display good patina indicates a native use (contact rubbing) and age. Bwoom is one of three types of royal Kuba masks...

A Guere wood mask with paint and fiber remnant from We people displayed on a metal stand. The We people (also known as the Krahn or Guere) are an indigenous African people that inhabit areas in nowadays eastern Liberia and western Côte d'Ivoire. Their material culture shares many aspects with the neighboring Dan tribe. Like the Dans, the We use a wide variety of masquerades, which hold important regulatory position within their small, egalitarian communities. Masks are owned by families and used by individual lineage members in contexts of social control, ritual ceremony and entertainment. This type of Guere mask, however, has a distinct fearsome character. The ferocious design with jagged facial expression, bulging tubular eyes are intended for use in mediations between community members, as visual aids during moral lessons, as well as forms of entertainment. By portraying the more frightening nature of the animal, the mask is viewed as powerful and may have been used as part of social control methods prior to the introduction of Western law systems during the colonial period. The mask on offer, based on our examination, appears to be an original one that was used natively instead of reproduction made for the tourist market. The surface presents apparently genuine patina consistent with use. The red paint that highlights the eyes and gapping mouth also appear original. There are small losses flanking the nose ridge by the eyes, extensive surface accretion, remain of some fiber tassels. The back of the mask reveals chisel marks from hand tools and importantly, stain marks that were likely from repetitive contacts from the nose of the wearer. The mask is 9" in height, and it retains an old Sotheby’s catalog...

Very beautiful mask with large pronounced eyes with the circular cavity shape. The mask depicts a nocturnal bird that can see in the darkness and manifest the presence of divinities ...

Important mask with beautiful a patina over paint and sculpting note, heads on both sides. Acquired from an old private collection. An almost identical mask was exhibited in "African...

Early and rare mask from Gabon, Central Africa, created by the Tsogho peoples. Powerful large mask with carved open eyes, and black painted eyes above, below heavy carved eyebrows. ...

Early finely carved African Afikpo mask with stylized geometric abstract long face. From Nigeria close to the Cross River. From an old collection in the Southwest. Overall dimensi...