Items Similar to Ciwara Bambara headdress in carved wood and basketry, Mali, Early 20th century
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Ciwara Bambara headdress in carved wood and basketry, Mali, Early 20th century
About the Item
A very pleasing Ciwara crest, singularly small and accompanied by its original headdress, depicting a stylized antelope leaning on a pangolin. The antelope is ridden by a woman, and white horsehair has been added to the tips of the horns. The piece is carefully sculpted, with notches decorating the bodies of the antelope and the pangolin.
Rattan, plant fiber, cowries, wood Very fine velvety mat patina, Circa 1950
An animal called Ciwara is said to have taught the Bambara how to cultivate the land, and during agrarian ceremonies, they recall the myth through the stylized representation of an antelope whose name ci wara means “fawn of the earth”.
During these ritual ceremonies, the mask-cimier became the attribute of a costumed dancer who gave it life and speech.
Worn at the top of the skull and held in place by a sort of small wickerwork cap, these crests accompanied the dancers during rituals dedicated to agricultural work.
The masks would leap across the field to chase away evil spirits, revive seeds and restore vitality to crops.
- Dimensions:Height: 17.33 in (44 cm)Width: 9.45 in (24 cm)Depth: 7.49 in (19 cm)Seat Height: 17.72 in (45 cm)
- Style:Tribal (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1930
- Condition:Wear consistent with age and use.
- Seller Location:NICE, FR
- Reference Number:1stDibs: LU9202242404402
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- ShippingRetrieving quote...Shipping from: NICE, France
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"Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence."
Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France.
The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites.
The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask.
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