extremely rare Algerian Judaica silver, jewish Dowry box early 19th century

this plate has a creme white background, the center painted with a man holding a lamb before a cityscape, probably a depiction of Jerusalem by someone who never actually visited the city or even see it, under the man there is the word Passover "פסח" the rim with the order of the Seder, and some grape vines between them. Passover, also called Pesach ( Biblical Hebrew: חַג הַפֶּסַח‎, romanized: Ḥag haPesaḥ), is a major Jewish holiday, one of the three pilgrimage festivals, that celebrates the Biblical story of the Israelites' escape from slavery in Egypt. Pesach starts on the 15th day of the Hebrew month of Nisan which is considered the first month of the Hebrew year. The Hebrew calendar...

Here we have this important and very rare example of early Judaica, made in Italy or south Germany, this Circumcision Knife is made from iron, has the guild mark on the blade as used...

This charming piece of jewish history in front of you is a one of kind modern Judaica object, This box used to hold the Etrog To protect the it during the holiday of Sukkot, it is traditionally Wrapped in silky flax fibers and stored in a special decorative box, mostly made from silver. Wolpert designed this amazing hand hammered Bauhaus style box in 1963-1964 while he was Working in New York. all of the boxes we could found from this design made by Wolpert have The upper part inscribed in a simple engraving with the phrase "Pri Etz Hadar" In Hebrew ״פרי עץ הדר״. the box in front of you is the only example in existence as far as we Know where the letters are also repoussé and also engraved, such a beautiful and hard to get Combination, the rest of the box is shaped as a modernistic Etrog, all the body of the box is Skillfully hand hammered in a way it reflects the light in a warm and calm way, a true Masterpiece of modern judaica by the great and important artist Ludwig Yehuda Wolpert. One of the the two great masters of 20th century Judaica. the Box is marked "WOLPERT" AND "STERLING" and the base has the engraved inscription : "ALAN WECHSLER GENERAL CHAIRMAN, ALLIED JEWISH APPEAL OF SOUTHERN NEW JERSEY 1978" Similar boxes can be find in museum collections around the world In the Jewish Museum New York In the North Carolina Museum of Art In The Derfner Judaica Museum Another similar box was featured in the Israel Museum exhibition "Forging Ahead, Wolpert and Gumbel, Israeli Silversmiths for the Modern Age" Ludwig Yehuda Wolpert was born in Hildesheim, Germany, to an Orthodox family. In 1916-1920, He began his studies in sculpture at the Frankfurt School of Art. In 1925-1928, he studied Goldsmithing at the Frankfurt School of Art. Following the presentation of the works in the 1930 exhibition "Kult und Form" ("Ritual and Form") at the Jewish Museum in Berlin, his works became well known in the German Jewish World. His works were greatly influenced by Modernist design, especially the Bauhaus Movement. Wolpert's works avoid decoration, relying on clean, geometric shapes. In 1933, Following the Nazi rise to power in Germany, he immigrated to the Mandatory Palestine with His family. There he worked for two years in the workshop of Bernhard Friedländer, where he Designed and produced silverware and Jewish ceremonial art.Together with Victor Solomon...

This is a rare German silver kiddush cup that was made in Hochhausen (Tauberbischofsheim) or In the area, the marks on the cup relate to German silver in the 18th century, there Is a loth 13 silver mark which is 812,5 silver fineness. A Jewish Community in Hochhausen has been known since the 17th century. In 1706, four Jews from Hochhausen were named, each of whom had to pay ten Guilders for protection money. The Jewish Community in Hochhausen owned a synagogue, a Jewish school, The Jewish cemetery in Hochhausen and a ritual bath, which adjoined the Property at Mühlenwörth 7. The bathing house that was probably there was about 3 m by 4 m and got the water of the Tauber via a small canal from the Mühlkanal. The ritual bath came into the possession of the mill around 1920 and was Probably filled in at the time. A separate religious education teacher was Employed, who also worked as prayer leader and schochet. In 1827 the Jewish Community in Hochhausen was assigned to the district rabbinate of Wertheim, Which temporarily had its seat in the Jewish Community of Tauberbischofsheim From 1850 to 1864. The cup is adorned with an amazing engraving in old German style says : Familie Rothschild Hochhausen We can see that the family member that ordered this cup from a silversmith was Proud in his family name as he asked it to be engraved in such bold germanic Style letters. The font type is Fraktur it is a calligraphic hand of the Latin alphabet and any of Several blackletter typefaces derived from this hand. Letters are designed such That the individual strokes are broken apart; in this way it is often contrasted with The curves of the Antiqua (common) typefaces where the letters are designed to Flow and strokes connect together in a continuous fashion. The first Fraktur typeface arose in the early 16th century, when Emperor Maximilian I commissioned the design of the Triumphal Arch woodcut by Albrecht Dürer and had a new typeface created specifically for this purpose, designed by Hieronymus Andreae. The Rothschild family...

Stunning and rare Omani tribal necklace in gold and silver featuring eight Burgau thalers dated 1780 and a large amulet box (Hirz) also in gold and silver. 19th century. Very good condition. Preserved and professionally framed. Dimensions of the necklace: 52 x 30 x 3 Dimensions of the frame: 70 x 47 x 5 Secure shipping. This fine Omani necklace of silver and gold comprises two strands of spiky, seed pod-like silver beads; gold-wrapped beads; eight silver Maria Theresa thaler coins; and a large silver and gold amulet box, with multiple chain tassels each of which finishes with a square-shaped pendant cut from sheet silver. The cigar-shaped amulet box called hirz would have contained some Koranic verse or religious text. Such a spectacular display of wealth would only have been worn at times of important festivities such as marriage celebrations. Maria Theresa thalers were made in Austria since the reign of Empress Maria Theresa of the Austro-Hungarian Empire. The Empress died in 1780 and since that time, all thalers that were subsequently struck were minted with that date regardless of the actual year that they were produced. The coins achieved such a level of trust for their silver content (which is 83.3% silver) in the Middle East that neither the design not the date was varied, and so for more than 200 years the coins were used as an international currency among the tribes and the states of the Middle East, in much the same way as the Spanish dollar was used as an international currency at the time elsewhere. The thalers were used to complete most important transactions locally and were also given as dowries. They were also an important source of silver and were melted locally for jewellery. The coins made their way to the ports of the Red Sea, Egypt and northern Africa from the ports of Genoa, Trieste, Livorno and Marseille. European traders used the coins to buy precious materials from the Gulf and northern Africa which it desired – commodities such as spices, coffee, gum Arabic, indigo, pearls, and tortoise shell. The importance and the beauty of the coins saw them incorporated into local jewellery most particularly in Oman and Yemen. References Al-Jadir, S., Arab & Islamic Silver, Stacey International, 1981. Harrigan, P., ‘Tales of a Thaler’, Saudi Aramco World, January/February 2003. Hawley, R., Omani Silver, Longman, 1978. Hawley, R., Silver: The Traditional Art of Oman, Stacey International, 2000. Rajab, J.S., Silver Jewellery of Oman, Tareq Rajab Museum, 1998. Ransom, M., Silver Treasures from the Land of Sheba: Regional Yemeni Jewelry...

The large, mushroom-shaped bulbous head of this rare 19th century Zulu knobkerrie from South Africa has been decorated with an array of early metal tac...

This fine figure, from the Luba/Kusu culture in the Democratic Republic of the Congo, dates back to the early twentieth-century or before, to the nineteenth-century. The carved figur...

Late 19th-early 20th century Tribal mask, West Nepal A mask from West Nepal with a rather heart shaped facial plane. There are three large iron staples, two of which may have secure...