Gelede Headdress, Yoruba People, Nigeria, circa 1920s

Gelede festivals honor the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lo...

Gelede festivals honour the creative and dangerous power of women elders, female ancestors and goddesses known as "our mothers". The Gelede headdress often consists of two parts, a lower mask and an upper elaborate superstructure. The lower mask depicts a woman's face, it's composure expressing the qualities of calmness and patience. The numbers are the inventory numbers from Penn State University and Lehigh University. Exhibited: The Pennsylvania State University - Museum of Art permanent collection; The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Wooden head of a wife of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966-1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

Wooden head of an Ooni of Ile-Ife, Yoruba People, Nigeria, circa 1930s. The Ooni is the traditional ruler of Ile-Ife. The Nigerian town is seen as the cradle of the Yoruba people. The number is the inventory number from Lehigh University. Exhibited: The Lehigh University - Art Galleries permanent collection. Provenance: The collection of Dr and Mrs John E. Swanson. Dr John Swanson and his wife Marian lived from 1966 - 1981 in Lagos, Nigeria where Dr Swanson was the Advisor to the National Universities Commission and later on the Chief Planning Officer of the University of Ibadan, Nigeria. During their time in Africa the Swansons started to collect African art. In 1973 a part of their collection, circa 120 pieces went on loan to The Pennsylvania State University Museum of Art, where the remained until 1978. In 1981 Dr Swanson passed away and his wife Marian never returned to Africa. In 1982 Mrs Swanson lent 130 pieces to the Lehigh University Art Gallery where they remained until 1987. A few pieces were also lent to Lafayette College...

A fine Idoma Headdress, ungulali, rising from a flaring conical base with holes around the rim for attachment, the first tier of three stylized faces with tapering chins, parted lips...

Blacked wood helmet mask (Gelede), large human head surmounted by a dog eating a snake which curves around the head. No perforation for attachment to costu...

"Mossi Head dress Mas ceremonies Rep Upper Volta" is a wood sculpture that includes various other materials such as fabric, and fibers. An abstracted animal with a hump and a bird on it's back make up the top of the headdress. 27" x 6" x 1" The Mossi states were created about 1500 A.D., when bands of horsemen rode north from what is now northern Ghana into the basin of the Volta River and conquered several less powerful peoples, including Dogon, Lela, Nuna, and Kurumba. These were integrated into a new society call Mossi, with the invaders as chiefs and the conquered as commoners. The Mossi make both political art and spiritual art. Figures are used by the ruling class to validate political power, and masks are used by the conquered peoples to control the forces of nature. The several mask styles reflect the diversity of the population before the 15th century invasion. Long tall masks...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...