Silk Tribal Art

Antique Central Asian Silk Ikat Panel, Uzbekistan A large mounted silk and cotton ‘adras’ ikat panel with a dynamic 4-color design of large red rings with white centers surrounded b...

This hand embroidered shoulder is from the Akha tribe and has been framed for display on a wall. The Akha are an indigenous hill tribe who live in small villages at higher elevations...

Fine early 20th Century hand spun indigo cotton and Trans-Sahara silk cloth.

Gorgeous handwoven silk Ikat weaving in rich magenta, gold and purple color, circa late 19th-early 20th century, Uzbekistan, Central Asia, on the ancient...

Antique Japanese Recycled Zanshiori Jacket Zanshi-ori cloth is woven from leftover cotton and silk threads, either from commercial kimono production or from home-produced recycled y...

Antique Rare Ceremonial Shoulder Cloth (Kain Nyulam), South Sumatra This fully embellished and intricately embroidered shoulder cloth (kain nyulam) is a rare and unique example of t...

Antique Greek Pair Silk/Metal Thread Embroideries, 18th Century Additional Information: Dimensions: 0'11" L x 0'6" W Origin: Greece Period: 18th Cen...

Rare Antique Woman's Silk Ceremonial Headscarf (Kiet), Cambodia This traditional head cloth or veil was made by the Cham people of Cambodia, a Muslim group with historic ties to Mal...

Antique Japanese Recycled Zanshi-Ori Futon Cover Zanshi-ori cloth is woven from leftover or repurposed threads, either from commercial kimono production or home produced recycled co...

Rare Antique Formal Japanese Silk Tsutsugaki Futon Cover An exceptional example of tsutsugaki from the late Meiji period. The abstract rendering of the auspicious phoenix and paulo...

Antique Panel from Young Girl’s Luntaya-Acheiq Hta-mein (skirt), Myanmar (Burma) Skirt panel of interlocking-tapestry woven silk in three shades of jade green, purple, reddish pink,...

A framed Riga Gound from Nigeria. Elite Nigerian men wore grand, flowing garments known by various names: riga (Hausa), agbádá (Yorùbá), boubou (French), and mbubb (Wolof). This particular strip-woven riga features a off-white, very light grey tone with silk accents adding contrast. Skilled embroiderers—often trained in Arabic calligraphy—incorporated motifs once imbued with protective Islamic symbolism. Central to the textile is a leaf (gambiya) motif, linked to the Nupe people. A spiral design symbolizes the wearer’s spiritual journey toward God. The hem is lined with magenta silk, imported via trans-Saharan trade routes. Historically admired across cultures, the riga remains a cornerstone of pan-Nigerian male national dress today. This framed Riga Gound has a unique back story. Having owned a prominent antiques shop in Hong-Kong for more than two decades it was common for antique dealers to sometimes come to the shop and present items to sell...

A rich and luxurious kain limar songket, shoulder cloth for a woman, ikat dyed and woven silk (limar) with supplementary weft woven metallic gold thread brocade (songket), circa 1900...

Antique Panel from Young Girl’s Luntaya-Acheiq Hta-mein (skirt), Myanmar (Burma) Skirt panel of interlocking-tapestry woven silk in shades of pink, mauve, cream, light blue and indi...

A beautiful Vintage Laotian hand woven silk chok cloth in black background with a variety of supplementary colours with detailed geometric and mythical animal designs, a stunning piece of silk weaving executed by some of the best and most skilled weavers in the world. Chok weaving is a technique where two or more different coloured threads are inserted between each row of warp thread. These are inserted by hand, so it’s akin to embroidery or carpet weaving. Size 80 x 18 inches 200 x 45 cm approx. Period 1970s About weaving in Laos The evolution of weaving in Laos, which emerged from the cultural contact between different ethnic groups, has created some of the most intricate and stunning textiles to come from the simple floor loom. For more than 40 years following World War II, Lao weaving all but disappeared. Within a few short years, Lao textiles, in particular the Lao Tai people's supplementary weft weaving, travelled from the brink of extinction to what is considered by collectors and connoisseurs to be amongst the finest textiles in the world. Silk production, dying and weaving reached Laos with the arrival of the Tai Kadai people from Yunnan in today’s China, around 1,200 years ago. As they travelled through the region, they encountered the indigenous Mon-Khmer people who were already weaving other types of fabric, mostly raw cotton and hemp. In Lao-Tai textiles...

Early 20th century tribal head wrap, tai daeng ethnic group, northern laos This head wrap is silk supplementary weft patterned panels stitched to a length...

This strikingly coloured Phulkari is from Punjab, India. It was hand-crafted from silk and cotton, with silk being used for the embroidery. Phulkari’s are a form of wedding shawl and...

This strikingly coloured Phulkari is from Punjab, India. It was hand-crafted from silk and cotton, with silk being used for the embroidery. Phulkari’s are a form of wedding shawl and...

This Kyonoshiki Folding screen is hand woven. It's done in the traditional style of the famous looms of Kyoto, Japan. It's embroidered using gold and silver thread on silk. It depict...

This strikingly coloured Phulkari is from Punjab, India. It was hand-crafted from silk and cotton, with silk being used for the embroidery. Phulkari’s are a form of wedding shawl and...

Antique Ruband veils such as this example, which are hand-embroidered in silk on a cotton foundation, were used to cover the bride's face when she moved to the groom's house, as well...