French Art Nouveau Orange and White Glass Pendant Light Signed Noverdy, 1920s

French Art Nouveau orange, white, and blue Pâte de Verre glass pendant light fixture, signed ”Noverdy France” by Jean Noverdy. This delightful French Art Nouveau period pendant light...

This adorable French Art Nouveau period pendant chandelier features a mottled “Pâte de Verre” art glass shade in orange, yellow, and cream color, signed ”Schneider” by Charles Schneider, hung at an ornate brass and bronze fixture with one socket for E14 size light bulb. Dimensions: Diameter ca. 30 cm / 11.81 in, height 48 cm / 18.89 in. The light fixture is in complete working order, but as with all vintage or antique lighting, we would always suggest it is tested and fitted by a qualified electrician. The production of Pâte de Verre is a slow process that requires a lot of manual skill to avoid bubbles, cloudiness, and cracks in the cooling process. The technique allows for accurate shapes and accurate color gradations in the workpiece, unlike any other glass processing technique. The technique was already known in ancient Rome and Egypt. Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert Dammouse, François Décorchemont, Amalric Walter, Émile Gallé, and George Despret. The Crystal Daum...

French Art Deco pendant chandelier by Jean Noverdy (Dijon), France, 1920's. Mottled blown thick double glass shade. Colors : purple, ochre and green. Stamped brass fixture. Height : ...

Suspension in wrought iron and bluish glass paste speckled with green, orange and pink. Wrought iron frame, electrified and in perfect condition. Total height: 70cm Cutting diameter: 41 cm Weight: 6.5 kg You can contact me for more information and delivery costs. Jean Noverdy, master glassmaker who mainly produced chandeliers, table lamps in the Art Nouveau style sometimes with bronze frames, a few vases and Art Deco wall sconces in the 1925s in Dijon. In the 1920s, Jean Noverdy created lamps with shades most often in glass with two layers between which he sprayed colored enamels to give a marmoreal look. Vases and molded glass shades are also part of his production. The same techniques used by Daum Frères, André Delatte and Muller Frères in this period. He also created vases and etched acid tones in the style of the Nancy school. Between 1926 and 1928, he was present at the Salon of the Society of French Artists in Paris. It produced under the corporate name: Etablissements Jean Noverdy. His workshops were located at 17 Place Bossuet, Dijon. He was a pupil of Henri Dubret...