Albert Dammouse

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Al...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

The works of famous artists are exhibited and sold: Clément Massier, Félix Optat Milet, Jean Mayodon, Albert Dammouse, Jean Sala, Charles Schneider…. They exhibited at the Expositio...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Edmond Lachenal was one of the pivotal figures in the development and creation of Art Nouveau in ceramics, and his works are comparable in influence and importance to those of Ernest...

Edmond Lachenal was one of the pivotal figures in the development and creation of Art Nouveau in ceramics, and his works are comparable in influence and importance to those of Ernest...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albe...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

It contains entries relating to the following 25 artists: Paul Beyer, Berthe Cazin, Collinot and Cie, Albert Dammouse, Edouard Dammouse, Taxile Doat, Roger Dollé, Fau and Guillard, M...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Especially in the Art Nouveau period, and later in the Art Deco era, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros, Albert D...

Narbonne, Émile Belet, Lucien d'Eaubonne, Lucien Simonnet and also Froment-Delormel from 1896 to 1899. Albert Dammouse and Jean Mayodon learned their trade as ceramists at home.

Narbonne, Émile Belet, Lucien d'Eaubonne, Lucien Simonnet and also Froment-Delormel from 1896 to 1899. Albert Dammouse and Jean Mayodon learned their trade as ceramists at home.

This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably H...

This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably H...

While some of Raoul Lachenal’s Art Nouveau ceramics resemble pieces by his father, he also produced distinctive stoneware that can hold its own against works by master glaze artists ...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

We are delighted to offer this stunning Art Nouveau style salon lamp, a faithful reinterpretation of the "Hanging Head Dragonfly Shade and Mosaic and Turtleback Base" model created b...

This Tiffany Studios lamp shade is referred to as a Herringbone or Zipper shade.It has a 16” diameter & is signed “Tiffany Studios, New York on an early tag. The shade rests on a spi...

This exquisite vase belongs to Loetz's prestigious Papillon collection and is identified as the 7724 form. Renowned for its captivating color palette, this piece showcases a striking...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

This piece was executed by Maurice Alexandre. BACS - EDON ROC, CAP D’ANTIBES, FRANCE (1912-1927) BACS workshop was formed by four colleagues employed by Clement Massier: Jean Barol...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Glass vase, manufactured by Johann Loetz Witwe, PG 3/492 decoration, production number II/963, ca. 1903, Bohemia, Art Nouveau, Jugendstil, Art Deco, art glass, iridescent glass, pink...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Model #4619 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...