Henri Berge

This French "Crabe," or "Crab," pâte de verre vide-poche glass dish by Amalric Walter and Henri Bergé, is an elongated green and blueish dish, with murky, swirling hues, mimicking th...

Item #: YP-22133 Artist: Amalric Walter and Henri Bergé Country: France Circa: 1900 Dimensions: 3" height, 6" width, 7" depth.

A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900.

This French Art Nouveau pâte de verre paperweight (or "Presse Papiers") by Amalric Walter and Henri Bergé is an earlier, and smaller version of a series of "Langouste" paperweights f...

After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due ...

Almeric Walter and Henri Berge pate de verre covered box. Design depicts leaves, flowers and salamanders.

Manufactory: Amalric Walter & Henri Bergé, Nancy, Lorraine, France Dating of manufacture: circa 1920/1925 Designer: VICTOR AMALRIC WALTER (1870-1959) & HENRI BERGÉ (1870-193...

A French "Langouste", pâte de verre paperweight by Amalric Walter and Henri Bergé. The brown crayfish with red spots straddles a green and yellow curved base.

Fish in glass paste in a gradient of green and blue, signed A Walter Nancy Good general condition, small chip at the mouth of the fish and below the tail Art Nouveau Amalric Walte...

Cylindrical vase, colourless glass with flaky white, yellow-green and burgundy powder inclusions, yellow-orange, green and deep blue enamel melts, highly etched decoration with wild ...

Le succès ne tarde pas, et les créations délicates et raffinées de Daum sont primées aux Expositions Universelles entre 1894 et 1897. Henri Bergé, maître décorateur et second artist...

While at Daum, Schneider worked alongside other well-known glass artists, such as Henri Bergé and François Décorchemont. In 1925, Schneider left Daum to start his own glass company ...

A drawing school was created in 1897 within the company, which trained its own decorators and engravers. Henri Bergé was the master decorator there, the second artist in the company.

He performed his practical training in the engraving and decorating workshop, but he also took drawing and modelling lessons with Henri Berge. During the late 1920's to 1930's, Degu...

A design school was created within the company in 1897, training its own decorators and engravers. Henri Bergé was the master decorator, the company's second-in-command.

A design school was created within the company in 1897, training its own decorators and engravers. Henri Bergé was the master decorator, the company's second-in-command.

A design school was created within the company in 1897, training its own decorators and engravers. Henri Bergé was the master decorator, the company's second-in-command.

Among the city’s master makers was the crystal studio Daum, where both brothers worked at the turn of the 20th century, Ernest in sales, and Charles receiving training in the engravi...

A design school was established within the company in 1897, training its own decorators and engravers. Henri Bergé was the master decorator there, the company's second artist.

Trained at the École des Beaux-Arts in Nancy and later in Paris, Schneider first worked for Daum, where he mastered engraving, modeling, and cameo glass techniques under artists like...

A design school was created within the company in 1897, training its own decorators and engravers. Henri Bergé was the master decorator, the company's second artist.

A drawing school was created in 1897 within the company, which trained its own decorators and engravers. Henri Bergé was the master decorator there, the second artist in the company.

He began working at Daum in 1898, where he trained in engraving and decoration while also studying drawing and modeling under Henri Bergé and attending the École des Beaux-Arts in Na...

He performed his practical training in the engraving and decorating workshop, but he also took drawing and modeling lessons with Henri Berge. Concurrently, he studied the Ecole des B...

He trained at the École des Beaux-Arts in Nancy, studying drawing and modeling under Henri Bergé, while also working at Daum from 1898, where he gained hands-on experience in glass e...

The Maison Daum often called upon external collaborators such as Jacques Grüber, Majorelle, Henri Bergé, and Amalric Walter. Its collaboration with Edmond Lachenal is remarkable and ...

In fact Daum hired and employed some great artists who would later be famous for their own works, namely the Schneider Brothers. Henri Berge, Bernard Gruber, Eugene Gall, and Amalric...

There, he met a designer/modelist, Henri Bergé, with whom he made pâtes de verre always signed "Daum Nancy", without his name nor Bergé's name.

There, he puts a designer / modelist, Henri Bergé, with whom he made glass paste always signed "Daum Nancy", without his name nor Bergé's name.

He performed his practical training in the engraving and decorating workshop, but he also took drawing and modelling lessons with Henri Berge. Concurrently, he studied the Ecole des ...

By the end of the 1930s Daum had completed joint projects with the likes of Louis Majorelle and Egar Brandt, given a bevy of notable artisans (such as Henri Berge, Amalric Walter, an...

By the end of the 1930s Daum had completed joint projects with the likes of Louis Majorelle and Egar Brandt, given a bevy of notable artisans (such as Henri Berge, Amalric Walter, an...