Studio Ceramic Totem Floor Lamp by Bernard Rooke, 1960s

Mid-20th century ceramic vessel in neutral tones, by British artist Bernard Rooke. The vessel has a trapezoidal shape decorated with hieroglyphics front and back, and glazed to the ...

Table lamp model BN-25 by Hans Agne Jakobsson, Sweden, 1960s. Spun aluminium lamp with integrated three-tiered shade (white inside) giving nice ambient light. The lamp is in good v...

A large sculptural ceramic vessel by British potter Alan Wallwork (1931 to 2016). The vessel has a grooved crescent form in neutral brown tones, with...

A small ceramic vessel by renowned British potter Waistel Cooper (1913-2009). The organic shape is decorated with handmade vertical - and occasional lateral - sgraffito lines - in n...

An uncommon and quietly expressive example of Bernard Rooke’s studio pottery, this handcrafted ceramic table lamp dates to the 1960s and reflects a more organic, almost lyrical direc...

A lovely 1960s studio pottery vase by Bernard Rooke with circular design detail, stamped on the base "Rooke" rewired with antique cord flex, switch and PAT tested. With new bespoke n...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

A rare table lamp by Bernard Rooke, England, 1960s. Sculptural piece, made of handmade ceramic elements in natural tones of terracotta and stone. Stunning form and color- Good qual...