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Nestore Terra

Vintage Carlo Forcolini Post-Modern Black Floor Lamp for Artemide Italy, 1980s
By Artemide, Carlo Forcolini
Located in St. Louis, MO
1980s Post-modern Carlo Forcolini designed "Nestore Terra" black floor lamp for Artemide with
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Vintage 1980s Italian Post-Modern Floor Lamps

Materials

Metal

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Artemide for sale on 1stDibs

Artemide is an iconic firm in the design world. The mid-century Italian company is one of the best known lighting manufacturers and its award-winning fixtures are held in museum collections everywhere. Vintage Artemide table lamps, pendants, ceiling lamps and other lighting represent a thoughtful merge between functionalism and eye-catching design.

Artemide, which is based in Pregnana, was founded by Ernesto Gismondi and Sergio Mazza in 1959. During that year, Mazza created the first table lamp for the manufacturer — a modernist work in glass, marble and metal that he called the Alfa. Gismondi, who studied aeronautical engineering at the Polytechnic University of Milan and missile engineering at Rome’s Professional School of Engineering, applied his knowledge of cutting edge technology and materials such as fiberglass resin to Artemide’s designs for lighting and furniture.

In 1967, Artemide won Italy’s Compasso d'Oro design award for its Eclisse table lamp, which was designed by Vico Magistretti two years earlier. Other award-winning fixtures include the Tizio table lamp designed by Richard Sapper and the Tolomeo table lamp.

Designed by Michele de Lucchi and Giancarlo Fassina, the Tolomeo featured the patented George Carwardine mechanism used in the original Anglepoise lamp. De Lucchi would later be recruited to join visionary postmodern design collective the Memphis Group. Artemide’s Gismondi purchased the brand after founder Ettore Sottsass dismantled the collective in 1988, and it was bought by Alberto Bianchi Albrici in 1996.

Artemide’s list of design, innovation, sustainability and other industry awards is long and distinguished. The firm continues to actively collaborate with internationally revered designers and seek out new talent through workshops with design schools. The company’s deeply held values — energy-saving lighting, sustainable design and ethically sourced materials — characterize its current offerings, and Artemide furniture and lighting can be found in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art and other institutions.

On 1stDibs, find Artemide tables, seating, floor lamps, chandeliers and more.

A Close Look at post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Finding the Right floor-lamps for You

The modern floor lamp is an evolution of torchères — tall floor candelabras that originated in France as a revolutionary development in lighting homes toward the end of the 17th century. Owing to the advent of electricity and the introduction of new materials as a part of lighting design, floor lamps have taken on new forms and configurations over the years. 

In the early 1920s, Art Deco lighting artisans worked with dark woods and modern metals, introducing unique designs that still inspire the look of modern floor lamps developed by contemporary firms such as Luxxu

Popular mid-century floor lamps include everything from the enchanting fixtures by the Italian lighting artisans at Stilnovo to the distinctly functional Grasshopper floor lamp created by Scandinavian design pioneer Greta Magnusson-Grossman to the Paracarro floor lamp by the Venetian master glass workers at Mazzega. Among the more celebrated names in mid-century lighting design are Milanese innovators Achille and Pier Giacomo Castiglioni, who, along with their eldest brother, Livio, worked for their own firm as architects and designers. While Livio departed the practice in 1952, Achille and Pier Giacomo would go on to design the Arco floor lamp, the Toio floor lamp and more for legendary lighting brands such as FLOS

Today’s upscale interiors frequently integrate the otherworldly custom lighting solutions created by a wealth of contemporary firms and designers such as Spain’s Masquespacio, whose Wink floor lamps integrate gold as well as fabric fringes. 

Visual artists and industrial designers have a penchant for floor lamps, possibly because they’re so often a clever marriage of design and the functions of lighting. A good floor lamp can change the mood of any room while adding a touch of elegance to your entire space. Find yours now on 1stDibs.