Hollywood Regency Marbro Lamp Company Tall Crystal Glass Lamps, a Pair

Abstract, Mid-Century Modern, chinoiserie or Hollywood Regency style green accordion fan table lamp with gold floral motif at base. Reminiscent of Capra...

Abstract, Mid-Century Modern, chinoiserie or Hollywood Regency style cream or off white accordion fan table lamp with gold floral motif. Reminiscent of ...

Pair of two whimsical ceramic swan sculptural table lamps. Each ceramic lamp is identical and showcases a swan, in repose, looking downward with its wings outstretched and displayed. At the bottom of each swan, are curled waves resembling a pond or water feature as though the bird is floating on top of the water. The color of these beautiful Animalia birds is in a pure white, with a pearlized pearlescent hue glazed on top. The lamp reaches out from the top of each swan and includes a button switch. Each cord with plug is strung through the bottom and features a molded divot at the base for the cord to come out making the lamps sturdy and not resting on each cord. Each lamp is affixed to a ceramic base in the same hue and glaze. How We Would Style Them: A dramatic pair such as these will add whimsy in any room. Our favorites, of course, would be the following: Nursery: In a nod to Spring, and rebirth, this would be a symbolic and appropriate form of lighting for a nursery. Boy or girl, the white pair will be a subtle tribute to a new little one. Placed on either side of a dresser, or, as some new mothers do, on either side of a twin bed or daybed. Because sometimes it’s just easier, and for a better piece of mind, to sleep next to a new baby! Child’s Room: Imagine a brightly lacquered French blue pair of nightstands on either side of a twin bed. chinoiserie wallpaper (Hello to all my Grand Millenials!) gracing the walls. And crisp white bedding and sheets in a matching pattern to the chintz wallpaper. Caprani flush mount lighting at the ceiling, and a fringe ottoman and matching chair at the side. A room fit for a little prince or princess. Finally, a Palm Springs or Hollywood Regency Style home. In a foyer or dining room, we see this pair placed aptly on a brightly colored...

A tall ceramic and brass torchère style table lamp by Stiffel. A rare find, this circular lamp with white crackle glaze, has long been a difficult find for Stiffel lovers. The ro...

A beautiful elegant pair of tall Marbro lamps, circa 1960s, porcelain bases freshly rewired brass sockets, great condition Lampshades not included.

Pair of Hollywood Regency lamps attributed To James Mont. this pair of beautifully glazed ceramic lamps in a stunning shade of green mo...

Large, Asian influenced, solid pink alabaster lamp with pierced, faux armatures, matching foot and finial. The whole atop a veneered, wood base. Ma...

An exquisite brass table lamp by the renowned Marbro Company, made in the 1950’s, the piece displays influences of Art Nouveau and Brutalist styles, the detailed lotus flower with buds to the centre, features brutalist embellishment to the central stem. The lamp has a single large bayonet lamp fitting, a true interiors piece, and highly collectable from one of America’s most after lighting manufacturers. Without shade Height 87cm x Base Width 23cm. Shade is not included, purely a modern replacement for photographic purposes The Marbro Company The company was founded by Morris Markoff and his brother, hence the name Marbro from Markoff brothers. They started the company shortly after WWII. The company was located in a 3 story brick building in the garment district of Los Angeles, just south of downtown right by the Santa Monica Freeway. During the time they ran the company, they sold almost as many antiques as they did lamps. Marbro sold their products mainly through interior designers and a few upscale furniture stores. You would not find a Marbro product in a chain furniture store or a discount store. Most of the products were built to order. A typical order from a designer or retailer took between 75 and 90 days to complete. Most of the components that made up the lamp bodies (ceramic, brass, glass, etc) were purchased from small companies around the world. In the later years almost all of the brass came from India. For the most part, none of the bodies were made on site. Marbro was well-known for importing a variety of unique lighting components from all over the world. Italy was the source for alabaster, Japan and China for Porcelain, Brass in India and Crystal from Germany...