Pair of Blush Pink Murano Glass Marbro Lamps, 1960s

The Marbro Lamp Company was one of the finest lamp producers during the mid-1900s. Its pieces were mainly sold in a handful of exclusive furniture shops. Marbro was the go-to supplier of Hollywood Regency and mid-century modern style lighting for interior designers. Its table lamps, chandeliers, floor lamps and wall sconces have graced the homes of many celebrities. 

Brothers Morris and Elliott Markoff founded the Marbro Lamp Company in 1934. Its name is a combination of “Markoff” and “brothers.” The brothers relocated from Chicago to southern California after the end of World War II and set up an assembly plant in the garment district of Los Angeles. 

Vases and objets d’art, sourced from all over the world, were used as lamp bases. The brass bases came from India, alabaster from Italy, porcelain from Japan and China and crystal from Germany and France. Murano glass and whimsical bronze figurines were two of the more popular base materials. 

Marbro lamps were one-of-a-kind and took between 75 and 90 days to complete. Occasionally, they were made from sculptures that customers brought into the factory. Highly skilled woodturners and shade-makers crafted lampshades and wooden bases in Marbro’s shop. Some metal and glass pieces went through paint or staining treatments. The company’s best-known products were these table lamps, but it also produced a wide variety of decorative objects. 

The Masco Corporation acquired the Marbro Lamp Company in 1987. Its Los Angeles assembly plant shuttered its doors in 1990. Its equipment and remaining inventory were moved to LaBarge Mirrors — a Masco subsidiary — in Michigan. Shortly after, the production of Marbro lamps ended.

On 1stDibs, find vintage Marbro Lamp Company lighting, decorative objects and more.

Members of the Seguso family have been leading figures in the manufacture of glass on the Venetian island of Murano since the late 1300s, but for most collectors of vintage design the name evokes two companies formed in the first half of the 20th century. Seguso Vetri d’Arte, born from a small consortium of master glass artisans that included Archimede Seguso (1909–99), thrived under the artistic directorship of Flavio Poli (1900–84), a designer with an eye for modern forms, color and pattern. Vetreria Archimede Seguso, meanwhile, was founded in 1946, when Seguso opened his own atelier in order to employ classical techniques in the making of modern glassware.

The owners of Seguso Vetri d’Arte were justly proud of their skills as craftsmen, but they were not worldly aesthetes — and they knew it. Poli had studied at the Art Institute of Venice, originally working in ceramics before switching mediums and taking up the art of glass. He introduced new simple forms to the genre — the best known of his designs being the Valva, which resembles a clamshell in profile — and employed several novel techniques such as corroso, which gives glass a rough, emery-board-like finish. Poli’s most collectible works are his sommerso pieces, made with a layering process in which clear and colored-glass vessels are “submerged” within one another, producing a kind of nesting-doll effect in striking, elegant vases with bands of separate and overlapped hues.

At his eponymous workshop, Archimede Seguso often favored highly decorative, age-old techniques employed with modern restraint. His layered-glass Losanghe vessels have the look of an abstract checkerboard while his free-form Merletto vases have delicate, lacy patterns created by painstakingly twisting two heated glass straws to create helixes around the walls of the piece.

Though different in their scope and mission, both of these furnaces bearing the Seguso name created some of the most beautiful, alluring and exquisitely crafted works in all of modern design.