Pair of Carved Giltwood Neoclassical Oval Mirrors

A pair of painted hardwood neo-classical torcheres in the manner of Robert Adam. With tripartite Corinthian supports, stylised ram’s heads and cloven hoof...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...

A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree. Adonis was the mortal lover of the goddess Aph...

A magnificent antique pair of carved and painted wooden console tables, in the manner of William Kent. Two entwined stylized dolphins with centred scallop shells act as supports for the original Breccia Violetta marble tops. Their inapt faces, striking fins, fish scales and extravagantly splayed tails are based on ancient Greek mythological representations. The scallop shells represents Venus and the dolphins represents Neptune. The breakfront plinths are carved with overlapping acanthus leaves. These tables are based on designs from the 1720s by English architect William Kent. They are in the Neo...

With original wonderful surface gilding. The crest with urn of flowers and trailing arabesques over an original distressed mirror plate that we will replace if requested. The frame w...

Outstanding finely carved palatial Rococo style mirror with gold leaf finish in a very big size. France, 1850. A superb example of gilt Rococo style framework. The frame has a beau...

19th Century Italian Neoclassical Carved Giltwood Mirror combines naturalistic forms in a symmetrical presentation with cla...

Early 20th century carved, parcel giltwood and gesso Italian neoclassical style mirror. Carved wood frame with beaded border and corner rosettes. Giltwood and gesso crown with Greek ...