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Monumental antique wall mirror, Napoleon III, Paris, gold
About the Item
Monumental antique wall mirror, Napoleon III, Paris, gold
Solid wood, gold plated. Double frame with rich decoration of rocailles, flowers and a crowning cartouche with an inscribed flower tree. leaf feet.
An absolute eye-catcher. High quality and decorative French fireplace mirror.
Wide ornate frame with fine carvings. Very elegant and high-quality workmanship.
- Dimensions:Height: 75.99 in (193 cm)Width: 41.74 in (106 cm)Depth: 3.94 in (10 cm)
- Style:Napoleon III (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1870
- Condition:Wear consistent with age and use.
- Seller Location:Berlin, DE
- Reference Number:1stDibs: LU2528337928682
About the Seller
4.8
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1981
1stDibs seller since 2017
484 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Berlin, Germany
- Return Policy
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Louis Napoleon Bonaparte
(1808-1873) was Emperor of France from 1852 to 1870 under the name of Napoleon III. In a way, the artistic codes of the Napoleon III style — also called Second Empire style — were presented at the Exhibition of 1844, during the reign of Louis-Philippe d'Orléans. He was an important influence on architecture, interior furnishings and decoration throughout the rest of Europe and North America.
The Napoleon III style (also known as Second Empire) stands as one of the most unique styles ever produced. The eclecticism of the Second Empire is reflected in the association of past tradition with the development of modernism. It was often referred to as a “style without style”. The Napoleon III ”style” was in fact more of a combination of different styles from past centuries adapted to the modern era in order to correspond to a time of dynamic, innovative transformation. It stands out because there is nothing within it that is unique to itself. Everything, including materials, forms reproduced, and ornamentation used, was borrowed from styles that preceded it. Instead of drawing their inspiration from a single period, the artists and decorators from the Second Empire drew indiscriminately, with joyful exuberance, from all sources. Even so, this style, which is so apparently lacking originality, carries on a recognizable personality and is easily identified.
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