Artists Design Furniture by Denise Domergue

Regency furniture, 1800-1830 by Clifford Musgrave. NY: Thomas Yoseloff, 1961. First edition hardcover with dust jacket. Musgrave was curator of the Royal Pavilion in Brighton, the ep...

American Furniture, The Federal Period by Charles F. Montgomery. New York: The Viking Press, 1966. Hardcover with dust jacket. 496 pp. A large reference book on American federal period furniture...

American Furniture, the Federal Period by Charles F. Montgomery. New York: Crown Publishing, 1978. Hardcover with dust jacket. 496 pp. A large reference book on American federal period furniture...

The Furniture of Historic Deerfield by Dean A. Fales. Deerfield: Historic Deerfield, Inc., 1981. Second edition hardcover with dust jacket. 294 pp. A book on the antique American furniture collections of historic Deerfield Massachusetts. The book includes details of the pieces with their histories, woods, and dimensions. It also includes information on the development of styles and the use of forms. The largest percentage of the collection is New England furniture...

This book as you may see from the main image; is termed "a short illustrated review" - which describes the work of some 120 Danish Furniture Designers and is accompanied buy 520 illu...

This important and unique sword was presented to the famed French painter Jean-Gabriel Domergue to commemorate the painter's election to the illustrious Académie des Beaux-Arts in 1950. One of the highest honors bestowed on a French artist, the ceremonial induction into the French Academy has been accompanied by the presentation of a sword since the age of Napoléon. Rather than a weapon, the sword became part of the Academician's uniform, and, over time, its design came to represent the interests and aspirations of its recipient. This example was designed entirely by Domergue's wife Odette, a great sculptor in her own right, and thus it represents both a highly personal gift and an important art historical relic. The design of the sword is simply magnificent. Odette Domergue found her inspiration in antiquity, a theme that is also seen in the neoclassical sculptures that occupy the gardens of the couple's famous home, Villa Fiesole - also known as Villa Domergue - in Cannes. The impressive weapon boasts a solid gold handle that takes the form of a sinuous caryatid, who is nude save for a single swath of drapery. While the female figure recalls the sculpted supports prevalent in ancient Greek architecture, she also calls to mind the subjects for which Domergue was renowned - languorous, slightly risqué women with a seductive air. Other decorative elements such as fauna, cypresses, and grotesque heads enhance the whimsy and imagination of the incredible neoclassical design. Furthermore, the scabbard that contains the finely etched blade is also an impeccable work of art. Crafted of black Moroccan leather in imitation of the snake skin, it displays intricately engraved foliage patterns with a lion's head and Domergue's coat of arms. Though imagined by his wife, the sword was expertly chiseled by the celebrated goldsmith R. Delsinne and assembled by the atelier of the famed sculptor and medalist Raymond Delamarre...

The First in a series of Brazilian furniture design, this book abstains from discourse. The pieces have been chosen for the consistency of the work done by their creators and because...

by Sandra Dachs, Patricia De Muga & Laura Garcia Hintzo Focuses on Eileen Gray, a breakaway designer in a world dominated by male-centric style schools Besides an introductory essay, each title in the By Architects series is compiled by key modern architects through sketches, drawings, photos of the original productions, and ambient shootings A design-orientated book for a design-orientated series, Eileen Gray boasts an innovative layout and a special binding Neglected for most of her career, Eileen Gray (1878-1976) is now regarded as one of the most important furniture designers and architects of the early twentieth century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Eileen Gray was to stand alone throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another - whether a loose grouping like De Stijl in the Netherlands, or a formal one such as the Congrès Internationaux d'Architecture Moderne - Gray remained staunchly independent. Her design style was as distinctive as her way of working. Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies van der Rohe, who shared much of her ideology. Her voluptuous leather and tubular steel Bibendum Chair and clinically chic E-1027 glass and tubular steel table...