BRAUND, J. ILLUSTRATIONS OF FURNITURE... London: J. Braund, 1858.

Couple of children. Polychrome pine wood, Century XVIII. Pair of polychrome pine wood carvings that represent two children in an attitude of playing a musical wind instrument, both seated, with their hands towards their faces, and slightly raising one leg to add some movement to a posture that, otherwise, it would be perhaps too static. Due to their postures and attitudes, they would be part of a large and quality altarpiece, judging by the size, the details, the hair, the proportions, etc., elements in which the musical angels were not something strange. Note that those present do not have wings, calling themselves in these cases "putti" and being, in the same way, figures of habitual presence in religious environments despite having emerged from Renaissance classicism and its sources from Antiquity. The proportions of the sizes, the anatomy, the symmetry, the certain plasticism of the hair, etc. are elements that speak of an influence of Neoclassicism in these sculptures. Likewise, a certain resemblance to works from the 18th century of the Castilian school can be appreciated." Size: 22 x 42 x 85 cms / c/peanas 37 x 37 x 180 cm. Weight is merely orientative. Bases and wooden instruments...

Saint Anthony of Padua with the Infant Jesus. Oil on canvas. Spanish school, 18th century. Oil on canvas showing Saint Anthony of Padua (Lisbon, August 15, 1195 - Padua, June 13, 12...

Pair of miniatures in medallions, Ferdinand II of Portugal and Isabel II of Portugal. Cardboard, metal, glass. XIX century. Pair of miniatures on cardboard that show the busts of a ...

Pair of altar fragments or niches made of carved pine wood that are decorated with a series of important carvings with lots of plant-themed volume, scrolls, ropes, architectural deta...

Miniature Terrestrial Globe Newton & Son London, post 1833, ante 1858 Paper, papier-mâché, bronze and wood It measures: sphere diameter 2.95 in (7.6 cm); diameter of the wooden base 6.02 in (15.3 cm); height 8.36 in (21.24 cm). Weight: 2,067 lb. State of conservation: the globe still bears its original paint, but has various small gaps, abrasions and stains on the surface. The globe is hinged with two pins at the meridian circle, which is in turn inserted perpendicular to the horizon circle; this is supported by four semi-arches connected at the bottom by a small goblet-shaped foot, resting on a wooden bell-shaped base. Apart from the wooden base, the entire support structure is made of bronze; on the foot there are the scale reproductions of a compass, a telescope and an open book. The sphere is made of papier-mâché and is covered with twelve printed paper gores. In the North Pacific Ocean the globe bears a cartouche with the inscription (about 30% of the writing is illegible, but the missing parts can be easily integrated based on the rest): NEWTON’S New & Improved TERRESTRIAL Globe Published by Newton & Son 66 Chancery Lane LONDON On the globe, much of central Africa is empty and the great lakes Tanganyika and Victoria are not marked (Europeans would begin to explore the area after 1858). Canada is called "British Territory" and Alaska "Russian Territory" (it would become part of the United States in 1867). Australia already bears its modern name (until 1829 it had been called New Holland) and its coasts are completely designed; Tasmania is listed as an island (Matthew Flinders circumnavigated it in 1798). The routes of Cook's various voyages are plotted; both the route followed by Biscoe in 1831 and the "Land of Enderby" which he discovered on the coast of Antarctica, south of Africa, are marked. Bibliography P. Van der Krogt, Old Globes...

Sotheby's London; Michael Lipitch, furniture and decorations from the Michael Lipitch Gallery, 98 Fulham Road. London: Sotheby's, 1998. Softcover. 293 ...

An 1858 Colton's map of New York Ric.b011 Colton’s New York, 1858 - A large original color engraved and very detailed map of the state of New York,...

An exciting retelling of Jack the Giant Killer, beautifully illustrated throughout by Richard Doyle, a smart copy. A vivid retelling of 'The Story of Ja...