Case Study Houses, The Complete CSH Program 1945-1966, 40th Ed.

“By the end of Darkness, I had found my adult voice.” In 1977, dismissed by the press as a one-hit wonder, Bruce Springsteen and the E Street Band entered the studio to record the album that transformed a “kid from New Jersey” into America’s poet laureate of life’s underdogs. The tour that followed would come to be regarded as one of the most legendary in rock ‘n’ roll history, propelled by the nervous intensity of a group determined to prove itself. Present throughout the recording, release, and tour of Darkness on the Edge of Town, Lynn Goldsmith tracks these memorable steps in Springsteen’s journey to becoming an American icon. With illuminating forewords from both artists, the book gathers hundreds of photographs—classic, rare, and previously unseen—that bring to life a star at his hungriest. In Springsteen’s words, “These photos remain a record of a time when I truly played for my life, night after night.” It was a standard matched by the E Street Band, seen here in its historic lineup of Roy Bittan, Clarence Clemons, Danny Federici, Garry Tallent, Steven Van...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...

The Complete Work of Raphael, (1483-1520). Published in New York, Reynal & Company in association with William Morrow and Company, 1969. Raphael Sanzio, usually known by his first na...

Van Gogh: The Complete Paintings Hardcover 2006 by Ingo F. Walther and Rainer Metzger Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in...

The Universal Story: The Complete History of the Studio and Its 2,641 Films by Clive Hirschhorn. Stated 1st Ed hardcover with dust jacket. Crown Publishers Inc., New York, USA, 1987....

The Last Country Houses by Clive Aslet. New Haven: Yale University Press. First edition hardcover with dust jacket, 1982. 344 pp. The social and architectural history of the prospero...