Design Impact, A History of Art Center College of Design Alumni Vision Culture

Tahiti : contemporary art in an age of uncertainty : Hirsch Farm Project / Mitchell Kane. The sixth annual book published by the Hirsch Farm Project, an arts-based think tank, addresses a variety of contemporary issues. The project which took place in April and July of 1996 gathered six artists to speculate on the notion of Tahiti as an allegory for contemporary uncertainties ranging from environmental havoc to oscillating geographical economies. Contributions by John Currin, Mariko Mori, Alexis Rockman...

History of Italian Renaissance Art hardcover – January 1, 1969 by Frederick Hartt (Author), Color and B&W Illustration. History of Itali...

Gerard Bignolais was a French sculptor and artist, 1937-2007. He mostly worked on sculptures of human bodies illustrating life at it's raw form. In this 2007 limited edition are basel box entitled plages 115, it is an interactive installation of "miniature paper and mixed-media clothes not only for the beach/plages and also for a ladies traveling wardrobe...

Diego Rivera: Murals for The Museum of Modern Art by Leah Dickerman and Anna Indych-Lopez. The Museum of Modern Art, New York, 2011. 1st Ed hardcover with no dust jacket as published. From the personal library of Herbert Kasper. Herbert Kasper was an American fashion designer known as "Kasper." He studied English and advertising at New York University and fashion at The Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After WW II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector with a famous art collection, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five “portable murals” --large blocks of frescoed plaster...