"John Heartfield", First Edition

Colonial Furniture: The Superb Collection of the Late Howard Reifsnyder, including signed pieces by Philadelphia cabinetmakers, formerly contained i...

English Furniture from the Middle Ages to Modern Times by Margaret Macdonald-Taylor. Published by G.P. Putman's Sons, NY, 1966. Stated 1st Ed hardco...

John Haberle: American Master of Illusion by Gertrude Grace Sill, Pamela Barr Editor, Douglas K. S. Hyland Contributor. New Britain Museum, Connecticut, 2...

Guide to The Victoria and Albert Museum. London: His Majesty's Stationery Office, 1910. Moroccan leather and green cloth hardcover with gilt lettering and no dust jacket as issued. 62 pp. An antique guide to the Victoria and Albert Museum in South Kensington, England. The guide includes the museum's hours, a list of rooms and galleries. Departments include Architecture and Sculpture, Ceramics, Glass, and Enamels, Engraving, Illustration, and Design, Library and Book Production, Metal Work, Paintings, Textiles, Woodwork, Furniture, and Leather. With 30+ illustrations in black and white with four fold-out floor plan maps in color. The binding is labeled and by Jas. Truscott & Sons, Book Binders...

Original Poster Politics - Photography - Photomontage - Germany - Anti-Semitism John Heartfield’s Die Lehre des Wolfes (The Teaching of the Wolf) is a striking example of his mastery of political photomontage, a technique he pioneered to expose the dangers of fascism and authoritarianism. This powerful composition presents a grotesque anthropomorphic wolf, dressed in military regalia, addressing a group of farm animals. The image serves as a biting satirical critique, likely targeting the deceptive rhetoric of totalitarian leaders who manipulate the masses for their own gain. Heartfield, a German artist closely associated with the anti-fascist Dada movement and a fierce critic of the Nazi regime, frequently used visual irony to challenge propaganda. In this work, the wolf—traditionally a symbol of cunning and predation—is portrayed as a figure of authority, dictating to an audience of sheep, goats, chickens, and other livestock. The accompanying text reinforces the theme, suggesting that the idea of "animals" as a unified group is an illusion—each species exists only to be consumed by the wolf, mirroring the ways oppressive regimes divide and exploit society. Created in the context of the 1930s and 1940s, Heartfield’s work was a direct challenge to the growing influence of fascist ideology in Europe. His photomontages, published in leftist magazines and posters, were acts of visual resistance, exposing the hypocrisy and brutality of political leaders. Die Lehre des Wolfes remains a timeless warning against manipulation, dictatorship, and the dangers of blindly following authority. Today, this piece is celebrated not only as an artwork but also as a historical document of resistance, reminding viewers of the enduring power of visual satire in the fight for truth and justice.The "working session of the Reich professional group of higher education professors of the League of National Socialist German Lawyers", which met under the chairmanship of Professor Carl Schmitt...

Step into the treasure trove of knowledge with this remarkable vintage book from the USSR titled 'Malaya Sovetskaya Entsiklopediya' ('Small Soviet Encyclopedia'). Published in 1959, ...

Dive into a musical journey with our Vintage German Sheet Music Book from the beginning of the 20th century. This heavy book, measuring 31x24x2cm, is a treasure trove of composition...

Step back in time and delve into the intriguing period of history with this vintage book from the USSR. Specifically designed for 9th grade students, this book offers a comprehensive...