Antique Illustrated Bible

Antique bible print titled 'Paul and Lydia'. This print most likely originates from an illustrated bible, published by J.M.

Antique bible print titled 'The Lost Sheep'. This print most likely originates from an illustrated bible, published by J.M.

Antique bible print titled 'The Ten Virgins'. This print most likely originates from an illustrated bible, published by J.M.

Antique bible print titled 'Paul and the Viper'. This print most likely originates from an illustrated bible, published by J.M.

Antique bible print titled 'The Little Captive Maid'. This print most likely originates from an illustrated bible, published by J.M.

Antique bible print titled 'The Enemy sowing Tares'. This print most likely originates from an illustrated bible, published by J.M.

This print most likely originates from an illustrated bible, published by J.M. Kronheim & Co, circa 1860.

This print most likely originates from an illustrated bible, published by J.M. Kronheim & Co, circa 1860.

This print most likely originates from an illustrated bible, published by J.M. Kronheim & Co, circa 1860.

This print most likely originates from an illustrated bible, published by J.M. Kronheim & Co, circa 1860.

This print most likely originates from an illustrated bible, published by J.M. Kronheim & Co, circa 1860.

These Bibles were richly illustrated with copperplate engravings, hand-coloured to bring biblical narratives vividly to life for contemporary audiences.

In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible.

His Amsterdam editions of the *Histoire du Vieux et du Nouveau Testament* were among the most influential illustrated Bibles of the early 18th century, valued for their artistry and ...

In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible.

Her feature 'Drowsy Dick', about a boy who was injected into several fairytales, was published in the New York World and syndicated by New York World Press Publishing in 1926-28. In ...

To create his work, Visscher selected and reused Flemish master copperplates, also making some significant changes. Rather than an illustrated Bible, the Theatrum Biblicum is a comp...

An impressive mid-19th century “Illustrated National Family Bible,” published circa 1860 by William Collins, Sons & Company of Glasgow, Edinburgh & London.

Porter, D.D., LL.D., Professor of Biblical Criticism, Assembly’s College, Belfast. Illustrated by Historical Designs and Scenes from Bible Lands.

Christ Healing the Possessed and the Paralytic, Pieter Mortier, ca. 1700 This fine biblical engraving originates from Pieter Mortier’s illustrated Bible, published in Amsterdam arou...

His works include familiar Dutch genre themes, soldiers at their encampment, music at home, but he also executed religious subjects, notably in 152 drawings for engravings for this i...

This print originates from the Theatrum Biblicum hoc est historiae Sacrae veteris et novi testamenti tabulis aeneis expressae, published by Nicolaus Visscher in Amsterdam in 1674. Th...

This engraving forms part of Mortier’s monumental illustrated Bible, which paired narrative biblical scenes with devotional portraits of prophets, apostles, and evangelists.

These engravings were originally part of Mortier’s great illustrated Bible, one of the most ambitious Dutch publishing ventures of the early 18th century, which sought to bring scrip...

Originally issued as part of Mortier’s grand illustrated Bible, these engravings were intended for meditation as well as for visual edification.

This sheet was part of Pieter Mortier’s monumental illustrated Bible, one of the most ambitious Dutch publishing enterprises of its time, pairing scripture with grand copperplate ima...

The imagery would have served both a didactic and devotional function, forming part of Mortier’s grandly illustrated Bible histories, which brought scripture vividly to life for 18th...

This plate presents two important episodes from the Gospel of Luke, executed with dramatic baroque detail characteristic of Mortier’s great illustrated Bibles. The upper scene depic...

The plate presents two New Testament episodes, finely engraved in the baroque style typical of Mortier’s great illustrated Bible histories. The upper scene illustrates the Wedding a...

The plate presents two early New Testament episodes, finely executed in the baroque style that characterized Mortier’s great illustrated Bibles. The upper scene depicts the Birth of...

The plate presents two early episodes from the Gospel of Luke, finely engraved in the baroque style that characterizes Mortier’s monumental illustrated Bibles. The upper scene shows...

The plate is part of Mortier’s ambitious illustrated Bible series, which brought together some of the finest engravers of the Dutch Golden Age to interpret the New Testament in grand...

These plates were part of Mortier’s ambitious illustrated Bible, a monumental work that paired scripture with large-scale engravings for study and devotion.

Produced as part of Mortier’s monumental illustrated Bible, these prints exemplify the union of scripture and fine art in Baroque devotional culture.

These prints likely originated from an illustrated Bible or religious compendium, intended to visualise scripture for personal devotion and instruction.

Christ Healing the Blind Man and the Possessed Mute, Pieter Mortier, ca. 1700 This engraving originates from Pieter Mortier’s monumental illustrated Bible, published in Amsterdam ar...

The Joseph cycle, with its themes of betrayal, hardship, and eventual triumph, was especially popular in illustrated Bibles of the period. Condition: Good, with general age-related ...

Pann told the New York Times that he found most illustrated Bibles boring, accusing the many artists who had illustrated Bibles before him of tending "to produce an impression that t...

Images such as this were often included in illustrated Bibles, theological works, or devotional publications and were intended to emphasize the sacred authority and ritual splendor o...

His press became renowned for richly illustrated Bibles, theological works, and historical publications.

Barton, "Children of the Bible, Part II, The Boy Who Established a Nation," Good Housekeeping, vol. 88, no. 2, February 1929, p. 51, illustrated.

Grüninger's Bible was printed in two volumes, each containing about 460 leaves and was illustrated with 109 woodcuts.

Created around 1735 for a large illustrated family Bible, this copperplate engraving portrays Matthias standing on a stone pedestal, symbolising his elevation to apostolic authority.

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the intimate yet profound moment of Christ’s final meal before his crucifixion.

Created circa 1735 for a large illustrated family Bible, this copperplate engraving portrays John standing upon a classical pedestal, symbolising his foundational role in Christian t...

Created around 1735 for a large illustrated family Bible, this copperplate engraving portrays an angel with radiant light emanating from behind, opening the heavy prison doors to lea...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures one of the most poignant moments before the Passion, where Jesus accepts the cup of suffe...

Created circa 1735 for a large illustrated family Bible, the scene depicts the Apostle Paul seated in a tiled interior, gazing upwards with an expression of divine inspiration.

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the dramatic and celebratory atmosphere of this foundational New Testament event.

Created around 1735 for a large illustrated family Bible, this copperplate engraving shows the apostles Peter and John healing a man lame from birth at the Beautiful Gate of the Temp...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the dramatic and devotional essence of this foundational Christian event.

Created around 1735 for a large illustrated family Bible, this copperplate engraving vividly portrays the scene set within a classical architectural interior with columns and arches.

Created circa 1735 for a large illustrated family Bible, this copperplate engraving portrays Thomas standing with dignified presence on a stone pedestal, symbolising his apostolic au...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving shows Philip standing with dignified authority on a stone pedestal, symbolising his apostolic role...

Created around 1735 for a large illustrated family Bible, this copperplate engraving depicts Christ seated outdoors in a posture of gentle authority and divine teaching.

This engraving was produced around 1735, most likely in London, as part of a large illustrated family Bible or theological compendium.

Epistle to the Hebrews Engraving – Paul, Law & Gospel Allegory c.1735 Description: This fascinating antique engraving titled “The Epistle of Paul the Apostle to the Hebrews – The La...