Antique Print of 'The Adoration of the Magi' Made after Ghirlandajo 'c.1890'

Antique print titled 'The Adoration of the Magi'. Original antique print on chine collé, made after the painting by Luini. Source unknown, to be determined. Published circa 1890.

Antique print titled 'The Adoration of the Magi'. Original antique print on chine collé, made after the painting by Gentile da Fabriano. Source unknown, to be determined. Published c...

Antique print titled ‘Histoire Sainte, Nouveau Testament, Adoration des Mages.’ This plate shows a scene from the New Testament; The Adoration of the Magi.’ This print originates ...

Antique print titled 'The Visitation'. Original antique print on chine collé, made after the painting by Albertinelli. Source unknown, to be determined....

Antique print titled 'The Entombment'. Original antique print on chine collé, made after the painting by Titian. Source unknown, to be determined. Published circa 1890.

Antique print titled 'The Nativity'. Original antique print on chine collé, made after the painting by Francia. Source unknown, to be determined. Publishe...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

This very large chrome lithographed print is unsigned, but presumed to have originated from Italy in circa 1930 in a Renaissance Revival style. The lithograph depicts a rendition of ...

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...

Lithographic print of the diamond rock battle, the main port of the island of Martinique, taken from the book Historical Gallery of Versailles 112. Chacoane is the engraver. Original...