Paper Prints

TITLE: Two Stems with Red Flowers – Original Botanical Watercolor by A.L., 1819 DESCRIPTION: A refined original botanical watercolor depicting two slender stems bearing vivid red flowers and delicately rendered green leaves, painted in 1819 by an unidentified artist with the initials A.L. The composition is elegant and restrained, with the flowering stems isolated against the natural cream-colored paper. The artist has carefully observed the structure of the plant, combining botanical precision with the decorative quality characteristic of early 19th-century flower studies. The work is monogrammed “A.L.” on the left stem and dated “1819” on the right. Particularly noteworthy is the paper itself, which bears the watermark “J. Whatman 1817.” James Whatman's celebrated English papers were highly regarded by artists and printmakers for their quality and durability. The watermark dates the manufacture of the paper to 1817, while the artist's inscription dates the execution of the watercolor to 1819. The two dates therefore provide an unusually clear chronology: the Whatman sheet was manufactured in 1817 and used by the artist for this botanical watercolor two years later, in 1819. An attractive and unusually well-documented original botanical artwork from the Regency period. ARTIST: A.L., unidentified artist. The work is monogrammed “A.L.” on the left stem. DATE: 1819 - dated on the artwork. MEDIUM: Original watercolor on paper PAPER: J. Whatman paper, watermarked 1817 ORIGIN: European, probably British or Continental European PERIOD / STYLE: Regency period Early 19th century Botanical / Natural History SUBJECT: Two stems with red flowers Botanical study Flower study DIMENSIONS: Image: approximately 29 × 16.5 cm Sheet: approximately 46 × 32.5 cm MARKS: Monogrammed “A.L.” on the left stem. Dated “1819” on the right. Paper watermarked “J. Whatman 1817.” CONDITION: Very good antique condition. The watercolor retains attractive and strong colors. Some light age-related toning and occasional minor foxing are present. A subtle former light line is visible, consistent with previous presentation beneath a passe-partout. The sheet was attached beneath a passe-partout along the upper edge. FRAMING: Offered unframed. Any framed or interior photographs shown are for presentation and inspiration only. AUTHENTICITY: An original, unique hand-painted watercolor dating from 1819. This is not a print, engraving or modern reproduction. KEYWORDS: botanical watercolor, original watercolor, botanical painting, flower watercolor, red flowers, botanical study, flower study, A.L. artist, monogrammed watercolor, dated 1819, Regency botanical art, Regency watercolor, early 19th century watercolor, 19th century botanical art, J Whatman, Whatman 1817, Whatman paper, English paper, antique botanical painting...

Large Antique Greek Amphora Chromolithograph, Genick, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a classical warrior scene,...

This 21st-century limited edition lithograph features Banksy’s iconic pop-art portrait of supermodel Kate Moss, inspired by Andy Warhol’s famous Marilyn Monroe prints and created for...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

A fantastic original etching by famed Spanish artist Pablo Picasso titled "Pour Roby" (from L’Age de Soleil). This minimalistic portrait by Picasso features thin lines that outline a...

A rare and beautifully printed pair of facsimile plates from the Pomar Codex, the celebrated late-16th-century natural history manuscript commissioned for Philip II of Spain and now ...

Wonderful set of 12 botanical prints. Hand coloured copper-plate engravings After drawings by William Fitch Published by S.Curtis 1838 Unframed. The measurement given is for one...

This striking contemporary artwork captures one of Banksy's most globally recognized motifs, the Flying Balloon Girl, presented as a high-quality licensed reprint lithograph. It feat...

Title: The Battle of Trafalgar, Admiral Nelson & British Fleet, 1805 Original antique 19th-century steel engraving depicting the Battle of Trafalgar, the decisive British naval victory of 21 October 1805 during the Napoleonic Wars. This dramatic maritime scene is after the painting by celebrated British marine artist Clarkson Frederick Stanfield, R.A. (1793–1867), and was engraved by John Cousen (1804–1880). The inscriptions beneath the image read: “C. STANFIELD, R.A. PAINTER.” “J. COUSEN, ENGRAVER.” “THE BATTLE OF TRAFALGAR.” “FROM THE PICTURE IN THE VERNON GALLERY.” The Battle of Trafalgar Fought on 21 October 1805 off Cape Trafalgar on the southwestern coast of Spain, the Battle of Trafalgar was one of the most important naval engagements of the Napoleonic Wars. The British Royal Navy, commanded by Vice-Admiral Horatio Nelson, confronted the combined French and Spanish fleet under Admiral Pierre-Charles Villeneuve. Nelson employed an unconventional attack, dividing his fleet into columns that sailed directly into the Franco-Spanish battle line. The resulting close-range engagement ended in a decisive British victory and confirmed Britain’s command of the seas. The battle became one of the defining events of British maritime history. Admiral Horatio Nelson & HMS Victory Vice-Admiral Horatio Nelson (1758–1805) commanded the British fleet from his famous flagship HMS Victory. Shortly before the battle commenced, Nelson ordered the celebrated signal: “England expects that every man will do his duty.” During the fighting, Nelson was struck by a musket ball fired from the French ship Redoutable and was mortally wounded. He died aboard HMS Victory during the battle, having lived long enough to learn that victory was assured. His death at the moment of triumph made Nelson a national hero and permanently linked his name with Trafalgar. The Scene Stanfield’s composition conveys the enormous scale, violence and confusion of a major naval engagement in the age of sail. Ships-of-the-line crowd the horizon, their towering masts and rigging emerging through smoke, spray and the dramatic sky. Several vessels are depicted fighting at extremely close quarters, recalling the devastating exchanges of cannon fire that characterized the battle. In the foreground, broken spars, wreckage and sailors struggling in the turbulent sea emphasize the human consequences of the engagement. The exceptionally wide composition gives the engraving an almost panoramic character and makes it particularly effective as a decorative maritime print. Clarkson Frederick Stanfield, R.A. (1793–1867) Clarkson Frederick Stanfield was one of the leading British marine painters of the 19th century. Stanfield had first-hand experience of life at sea before establishing himself as an artist. His knowledge of ships, rigging, changing weather and the movement of the ocean contributed to the convincing maritime atmosphere for which his work became celebrated. He was elected a Royal Academician and became particularly admired for his dramatic marine and historical paintings. John Cousen (1804–1880) The painting was translated into engraving by John Cousen, an accomplished English engraver known particularly for his landscape, architectural and marine subjects after important contemporary British artists. His finely worked engraving preserves the dramatic tonal effects of Stanfield’s original painting, from the dark turbulent foreground water to the distant ships disappearing into smoke and atmospheric haze. The Vernon Gallery The original painting was part of the important collection assembled by British businessman and philanthropist Robert Vernon (1774–1849). Vernon built an extensive collection devoted primarily to contemporary British art and presented his collection to the British nation in 1847. The inscription “From the Picture in the Vernon Gallery” records the important provenance of Stanfield’s original composition. Technique: Original antique steel engraving Artist: Clarkson Frederick Stanfield, R.A. (1793–1867) Engraver: John Cousen (1804–1880) Title: The Battle of Trafalgar Subject: Battle of Trafalgar Date depicted: 21 October 1805 Historical figure: Vice-Admiral Horatio Nelson British flagship: HMS Victory Historical period: Napoleonic Wars Origin: England Publication date: 19th century Style / Period: Victorian / 19th-century British maritime art Condition: Good antique condition with overall age-related toning, scattered spotting and foxing and minor staining. There is visible wear and some paper loss and irregularity to the outer edges and corners, particularly at the upper corners. Some minor handling marks and creasing are present, consistent with the age of the sheet. The engraved image itself remains strong, detailed and visually impressive. Please study the photographs carefully as they form part of the condition description. Please note: This is an original antique 19th-century steel engraving, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Battle of Trafalgar, Trafalgar 1805, Admiral Nelson, Horatio Nelson, Lord Nelson, HMS Victory, Royal Navy, British Navy, Napoleonic Wars, Napoleon, naval battle, naval warfare, British naval history, maritime history, military history, sailing ships, ships of the line, antique maritime print, antique naval engraving, Clarkson Stanfield, Clarkson Frederick Stanfield, John Cousen, Vernon Gallery, British marine art, Victorian engraving, steel engraving, original antique print, 19th century maritime art

Title: Rare Persian Lustreware Albarello Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian albarello or apothecary jar from the 13th century. The vessel is richly ornamented with seated courtly figures framed by scrolling vegetal motifs and lustrous metallic decoration characteristic of the celebrated ceramic workshops of medieval Persia. Rendered in warm copper, gold, olive, and cream tones, the composition exemplifies the extraordinary artistic achievements of Persian lustreware production during the Seljuk and early Ilkhanid periods. The elegant figural imagery, combined with rhythmic arabesques and ornamental bands, reflects the refined visual language that made Kashan ceramics among the most admired luxury objects of the Islamic world. This plate originates from Henry Wallis's important folio Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. The publication remains one of the earliest scholarly studies devoted exclusively to Persian lustre ceramics, and individual plates from the work are today exceptionally scarce. This is an original 1899 chromolithograph and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame dimensions, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor handling wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, decorative, and well preserved. Provenance: From Persian Lustre Vases, London, 1899, privately printed in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, albarello, apothecary jar, Kashan pottery...

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Title: Ancient Greek Theatre Architectural Plan by Ambroise Tardieu, 1825 Description: Original antique architectural engraving showing the plan and arrangement of an ancient Greek ...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

This striking, framed limited-edition lithograph features Andy Warhol’s iconic portrait of Blondie’s legendary frontwoman, Debbie Harry. Executed as a four-quadrant color study, this...

This is a digitally remastered print of a Roseate Spoonbill referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were ori...

A large and exceptionally vibrant “Still Life with Wine” limited-edition color print by Tony Curtis (American, 1925–2010), hand-signed in pencil and individually numbered 595/900. #...

Set of Three Medieval, Celtic & Renaissance Ornament Chromolithographs A beautiful set of three original antique chromolithographs illustrating the evolution of European ornamental ...

Wonderful print of wall-paper designed by Walter Crane Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

Glorious set of 24 prints of English Kings Steel engravings with amazing decorative vignettes Published by Virtue C.1840 Unframed. The measurement given is the paper size of one...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. The white...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

1990s Stunning original graphic poster by the legendary Patrick Nagel, showcasing his signature minimalist style that defined the aesthetic of the 1980s. Featuring a bold pink backgr...

Antique China Punishment of the Bastinado Print – Thomas Allom, 1843 This striking antique print titled Punishment of the Bastinado was drawn by the English artist Thomas Allom and ...

Four vintage Chinese hanging scroll prints after Liu Kuiling, circa 1979. Titled the Four Beasts paintings collection and includes: Rabbits in a Bamboo garden; Squirrels in a gnarle...

Antique Louvre Pavilion Architectural Engraving, Paris French Neoclassical Print, 1803 A refined early 19th-century French architectural en...

Rare 1980 pencil signed poster print titled "Lithograph III" by Marc Chagall. Cover design for the third in a six volume series of books devoted to Chagall's lithographs. composite f...

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Original Matson Lines Hawaii "Festival of the Sea" artwork lithograph by artist Eugene Savage taken from the well-known Matson Cruise Line's original menus. It is featured in the ori...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Title: Exquisite Depiction of Butterflies and Caterpillars: A Hand-Colored Natural History Engraving Description: This beautifully hand-colored copperplate engraving offers a deta...

Joan Miró (1893-1983) "La Bague du Sanglier" Limited Edition Lithograph on Arches paper Numbered 93/100 Hand signed in pencil Published by Maeght Éditeur, Paris Framed dimensions: ...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

The antique map titled 'Royaumes de Perse Herat & Kaboul' is an attractive map of Persia. Here are the key details and features of the map: 1. **Geographic Coverage**: - The map ...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Antique print titled 'Chinese Punishment of the Rack'. Print of Chinese punishment of the rack. The rack is a torture device consisting of a rectangular...

Great image of a Blue Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Title: 1897 Botanical Print – Alpine Forget-Me-Not (Myosotis Alpestris) Description: This original 1897 botanical print features the alpine forget-me-not (Myosotis alpestris), a...

Rococo Floral Garland Design – 18th-Century French Ornament with Doves, Plate C This exquisite 19th-century chromolithograph, Plate C from *L'Ornement Polychrome*, showcases the vib...

The hand-colored plates from the sixth edition of "A History of British Butterflies" by Morris are exquisite examples of Victorian natural history illustration. Here's a description ...

1980s Original rare gorgeous Patrick Nagel "The Book" art poster. Signature printed. Copyright 1985 Mirage Publishing Inc. Santa Monica. This poster is in excellent condition and so ...

Wonderful set of 16 botanical prints Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement given is for one...

Plaza Santo Domingo Mexico City – Antique Architectural Engraving, 1867 This 19th-century engraving presents a detailed view of Plaza Santo Domingo in Mexico City, one of the city’s...

Great image of a jaguar presented in an antique oak frame Lithograph with original hand color. After Cpt.Brown Published, 1847. Free UK shipping

The complete portfolio from the series Sole e Lune containing 6 Fine Art Silkscreen by Piero Fornasetti published in France by Graphique de France in 1993. This portfolio was exclusively created for Pier One...

Title: Set of Three Hand-Colored Equestrian Engravings, circa 1727 Description: A decorative set of three antique hand-colored equestrian engravings showing riders on horseback in classical 18th-century manège poses. The plates are titled Le Courageux, Le Loyal, and L’Esperance, each depicting a finely dressed rider guiding a horse with elegance and control. These prints are from the celebrated equestrian tradition associated with Friedrich Wilhelm Baron d’Eisenberg’s Description du Manège Moderne, published in the early 18th century. The work is known for its refined depictions of classical horsemanship, riding-school movements, and noble equestrian presentation. The hand coloring adds warmth and decorative appeal, with rich tones in the riders’ coats, saddlery, and horses. The prints have an attractive aged surface and strong period character, making them especially suitable for an equestrian interior, library, study, country house, tack room, club room, or classic gallery wall. Included plates: Le Courageux, plate XXIV Le Loyal, plate XXV L’Esperance, plate X Condition: Fair antique condition. General age-related toning, staining, foxing, handling marks, creases, and wear to the paper. Some surface dirt and discoloration, particularly in the margins and background areas. Irregular sheet edges and small signs of age throughout. Tape remains on the reverse. The images remain decorative and suitable for framing. Please review all photos carefully. Details: Date: circa 1727 Artist / Author: After Friedrich Wilhelm Baron d’Eisenberg Medium: Hand-colored engraving on paper Subject: Horses, riding, classical dressage, equestrian training Style: 18th-century European equestrian Sold as: Set of three Framing: Sold unframed Please note: The framed and interior images are for presentation purposes only. The prints are sold unframed. Keywords: antique equestrian print...

Title: "Kaart van 't Eyland Groot Java: Antique Map of Java, Indonesia" Description: This antique map, titled "Kaart van 't Eyland Groot Java," offers a rare and valuable depiction ...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Original antique print of inhabitants of the Mariana Islands. This print originates from 'Costume Antico e Moderno: Palestine, China, India, Oceania' b...

Title: 1806 Engraving of Arunachalesvara Temple, Hindu Pagoda on Coromandel Coast Description: This detailed antique print, titled "Temple ou Pagode des Gentils de la cote de Coroma...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...