Korean Blue And White

charming blue and white porcelain vessel

Korean ceramic storage jar, thickly potted with slanted shoulder decorated in under glaze cobalt blue of blossoming sprays, simple rolled lip and footed base, glazed overall in a tra...

19th century, Joseon period high-quality pear-shaped porcelain wine bottle with cobalt blue underglaze painting of a peony and a butterfly. Of compressed globular form, resting on a ...

After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari."

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari".

A fine old Korean blue and white porcelain jar. Finished with an even transparent glaze and craquelure throughout.

A charming Korean blue and white decorated porcelain jar, Joseon Dynasty, 18th/19th century, Korea.

This is Joseon era's unique porcelain with blue dye applied to white porcelain. Originally, white porcelain was considered noble during the Joseon Dynasty, and could only be owned b...

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After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari".

The jar was made in late Joseon period likely 19th century when blue underglaze decoration became more prevalent in Korea ceramic making.

A darling and attractive Korean blu and white porcelain small jar, very late Joseon Dynasty, circa 1895, Korea.

A Korean blue and white long neck vase in bottle form with octagonal faceted surface from late Joseon Dynasty (18th-early19th century).

Delft Blue and White Pierced Berry Strainer

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After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

North Korean grain jar, circa 1860-1880. Decorated with peony motif. 307142-280010

Unusual North Korean blue and white jar was used to store rice.

This is a white porcelain celadon vase with grape design from the middle of the Joseon Dynasty (around the beginning of the 16th century). Lid. The dignified and well-baked white po...

The body of this intriguing jar is more gray than white and the blue is not the bright blue we associate with Chinese ceramics.

After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari".

Early 19th century pair of Korean lee dynasty blue and white honey jars or bowls (SSAN-HAN-A-RI).

A Korean embroidered silk rank badge (Hyungbae in Korean) from late Joseon Dynasty circa the end of 19th century. The badge features a design of double leopards above the Li-sui wave...

Akari Light Sculptures by Isamu Noguchi are considered icons of 1950s modern design. Designed by Noguchi beginning in 1951 and handmade for a half century by the original manufacture...

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Black marble Roman toga (ro...

A small ceramic stemmed dish with high cylindrical foot in white glaze with a cobalt blue underglaze inscription in the center from Korea, circa 18-19th century Joseon Dynasty. This ...

A rare piece by Guillerme et Chambron, from the “Votre Maison” collection: a style, a concept, a way of life. Crafted from solid oak, it features two front doors that open to reveal...

A Korean four-panel folding screen circa 1830s, from the late Joseon Dynasty. The painting depicts a vivid hunting scene on four vertical scroll panels mounted with brocade borders. ...

A French Louis XV style painted Queen size bed , cabriole legs, circa 1950. Interior Dimensions: 55.5"W x 77"D This bed is smaller than todays queen size. Often times old "quee...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

An absolutely gorgeous, monumental, exceptionally large Korean ten-panel Sipjangsaengdo Byobu folding screen depicting the ten symbols of longevity—sun, mountain, water, rock, cloud,...

Pierre Chapo, dining table, model 'T14D', solid elm, France, circa 1978 This table is an early edition by Pierre Chapo, celebrated for his dedication to clean, functional design pri...

A charming Korean keyaki (Japanese elm), lacquer, and mother-of-pearl inlaid personal accessory chest for a woman, Joseon Dynasty, early 19th century or earlier, Korea. The small ac...

Louis XVI chest, Mahogany with 4 drawers. Carved dentil under top plate. Top drawer and sides with geometric molding work. Sides flanked by fluted quarter columns. This type is...

Genuine antique secretary cabinet from northern Sweden. The cabinet is a genuine country furniture made in a transitional style from between the rococo and gustavian period. It’s dat...

15 traditional embroidered pillows usually given by a bride to her husband as part of her dowry during marriage in Korea's modern era. These embroideries feature traditional symbols ...

Introducing Our Modern English Sofa in beautiful rich Chestnut color. This piece is designed to be the centerpiece of your living space, combining contemporary elegance with classic ...