Kipp Stewart For Calvin

Choose from an assortment of styles, material and more with respect to the kipp stewart for calvin you’re looking for at 1stDibs. Frequently made of wood, walnut and rosewood, every kipp stewart for calvin was constructed with great care. You’ve searched high and low for the perfect kipp stewart for calvin — we have versions that date back to the 20th Century alongside those produced as recently as the 20th Century are available. A kipp stewart for calvin is a generally popular piece of furniture, but those created in Mid-Century Modern styles are sought with frequency. A well-made kipp stewart for calvin has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Kipp Stewart, Calvin and Directional are consistently popular.

Prices for a kipp stewart for calvin can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $1,495 and can go as high as $9,500, while the average can fetch as much as $3,600.

The ultimate multi-hyphenate, Kipp Stewart counted painting, photography, architecture and furniture design among his talents. Known to furniture obsessives for the Declaration series he codesigned for North Carolina’s Drexel Furniture, Stewart was actually born in Pittsburgh, Pennsylvania, in 1928 and is most commonly associated with mid-century design movements of his adopted home state of California. There, in 1972, Stewart designed the Ventana Big Sur, a luxury resort near Montecito for which he oversaw architecture, planning, furniture and interior design across 160 acres of land.

By the time Stewart spearheaded the Ventana, he was already well versed in furniture design. After briefly serving in the U.S. Navy as a teenager, Stewart enrolled at the Chouinard Art Institute (present-day CalArts) in Los Angeles.

By the time he graduated, Stewart was steeped in the world of modern seating design, experimenting with new chair models that bridged form and function. Charles and Ray Eames were important influences on his early work, which included a chrome-framed lounge chair whose reclined shape bears a striking resemblance to the Eameses’ iconic lounge.

In the late 1950s, Stewart partnered with another West Coast furniture designer, Stewart MacDougall, on a line of modern furniture for Drexel. (The pair were also producing case pieces and more for Glenn of California.)

Drexel soon unveiled Stewart and McDougall’s Declaration line, which was constructed entirely of natural walnut and featured the choice of white porcelain or brass drawer pulls and cabinet door handles. Although its stylish credenzas and other pieces reflect the kind of slim-lined, low-slung silhouettes for which mid-century design has become known, there are also elements that nod to earlier American and European furniture design, such as the dining chairs whose flattened spindle backs recall Shaker and Windsor chair design, distinguishing them from the modern designs becoming prolific in Scandinavia at the time.

The Declaration pieces were so indicative of a particularly American style, in fact, that several items from the collection were selected by the U.S. government to represent the country at the Brussels World’s Fair in 1958.

While Stewart found success as a painter and with his Ventana hotel project — and had also designed chairs, chests and more for Directional — the Drexel Declaration line is his best-known furniture collection and remains highly sought after by collectors today.

Find a wide range of vintage Kipp Stewart furniture on 1stDibs, including dining room chairs, end tables and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.