The Lord's Song: A Sermon by Eric Gill – GOLDEN COCKEREL PRESS

The Poems of William Shakespeare according to the text of the original copies, including the lyrics, songs, and snatches found in his dramas; according to the text of the original co...

London: Hutchinson & Co., 1908. First Edition. Small 4to 10 3/8 x 7 1/2 inches (265 x 190 mm); xx, 210 pp., rubricated decorated title page; 30 full-page color plates by Pogany, inc...

Waltham Saint Lawrence: The Golden Cockerel Press, 1930. Illustrations by Denis Tegetmeister (1895 – 1987). 8vo, 9 x 6 in (229 x 153 mm); 175 pp., 6 copper engravings by Denis Tege...

One of the forever-classics of world literature interpreted in a highly decorative Art Nouveau style, with color printing, gold frames on every page, and orientalist sepia wood engravings to illustrate the stories. Ovid / Ovide. Lettres d...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Initial Letter 'H' for The Canterbury Tales (1929) - The Doctor's Tale Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - ...

Original wood engraving, 1930-31, 14.6 x 6.7 cm. (5.7 x 2.6 in.)

A limited edition collection of Welsh folk tales, signed by both the author and illustrator. A very scarce limited edition of 150 copies, this copy being number 135. Signed to the...