Eric GillDilecti Mei Pulsantis1931
1931
About the Item
- Creator:Eric Gill (1882 - 1940, British)
- Creation Year:1931
- Dimensions:Height: 5.75 in (14.6 cm)Width: 2.64 in (6.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
Eric Gill
Arthur Eric Rowton Gill ARA was an English sculptor, typeface designer and printmaker. Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architect W.D. Caröe. Finding architecture somewhat pedestrian, he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's typeface. In 1903, he ceased his attempts to become an architect, instead of becoming a monumental mason, letter-cutter and calligrapher.
Based in Ditchling, Gill began direct carving of stone figures, the semi-abstract figures taking their influence from medieval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little Post-Impressionism added in. Gill was offered major commissions from Westminster Cathedral for its Stations of the Cross (1914); a series of war memorials including the Grade II* memorial in Trumpington; three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's; and a series of sculptures for the new 1932 Broadcasting House — the list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures.
Gill had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925, Gill designed Perpetua on his own, and Gill Sans between 1927–30. For the Golden Cockerel Press, he created, in 1929, a bolder typeface to complement wood engravings. And of course, Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings.
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- The HaremBy Eric GillLocated in London, GBOriginal wood engraving, 1925, on smooth cream wove paper, signed and numbered in pencil, sheet 32.2 x 25.4 cm. (16.7 x 10 in.) The Harem was one of the original wood engravings designed by Eric Gill as illustrationsant series of prints, displaying every aspect of the striking yet graceful individual style for which Eric Gill is famed. for the Golden Cockerell Press edition of The Song of Songs, published in 1925. This overtly erotic engraving...Category
1920s Modern Figurative Prints
MaterialsWoodcut
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- Virgin and Child.By Eric GillLocated in Storrs, CT. Wood engraving. Physick catalog 827. 5 3/4 x 2 3/4 (sheet 8 1/16 x 3 7/16). Proof printed on simili-Japan paper with one side deckle edge. Unsigned. Eric Gill was a painter, scu...Category
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- Man and Girl on Way to ChurchBy Eric GillLocated in Storrs, CTMan and Girl on Way to Church. 1927. Wood engraving. Physick 427. 7 x 1 1/8 (sheet 8 7/8 x 4). Used as a wedding invitation for Petra Gill and Denis...Category
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- ToiletBy Eric GillLocated in Storrs, CTToilet. (After a drawing by Norval Gray.) 1923. Wood engraving on sycamore, end grain. Physick 256. 4 1/2 x 2 1/2 (sheet 5 5/8 x 4 1/8). Proof printed on sturdy Japanese mulberry lai...Category
Early 20th Century Modern Figurative Prints
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