Meret Oppenheim

Vintage hardback coffee table book featuring Art Deco furniture designs. By Alastair Duncan, published in 1984. First edition, 192 pages. "The Art Deco movement, which swept through...

Vintage hardback coffee table book featuring Swedish glass artistry. By Märta-Stina Danielsson, published in 1996. First edition, 444 pages. Text in Swedish. "but it is only the mas...

The International Design Yearbook 7, edited by Andrée Putman. Published in 1992, first edition. Hardcover with dust jacket, 240 pages. The seventh installment in this celebrated ser...

Vintage hardback coffee table book featuring the work of architect, Pierre Chareau. By Marc Vellay and Kenneth Frampton, published in 1984. Second edition, 347 pages. "Chareau was a...

This is a soft covered exhibition catalogue which was produced in 1992 by Galerie Pierre Passebon and Galerie du Passage of an exhibition of 33 pieces designed and created by Argentinian designer Marcial Berro...

: Silber, Kupfer, Messing, Zinn: Vom Jugendstil zuer Moderne (1889-1939). (Metal Art: Silver, Copper, Brass, Tin: From Art Nouveau to Modernism (1889-1939).) The development from the...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...

oil on ivorine with wood contact print holder & recycled piano key ivory