MILNE, A. A.. Now We Are Six. 1977 - LIMITED SIGNED EDITION

AUTHOR: MILNE, A. A. TITLE: The House At Pooh Corner. London: Methuen Children's Books, 1978. DESCRIPTION: LIMITED EDITION SIGNED BY CHRISTOPHER MILNE. 1 vol, 7-1/2" x 5-1/4", limi...

AUTHOR: MILNE, A. A. (Alan Alexander). TITLE: Toad Of Toad Hall. A Play From Kenneth Grahame's "The Wind In The Willows". PUBLISHER: London: Methuen & Co. Ltd., 1929. DESCRIPTION...

AUTHOR: MILNE, A. A. (Alan Alexander). TITLE: The House At Pooh Corner. PUBLISHER: London: Methuen & Co. Ltd., 1928. DESCRIPTION: FIRST DELUXE EDITION SIGNED. 1 vol., 8-7/8" x 7-...

AUTHOR: MILNE, A. A. TITLE: The House At Pooh Corner. PUBLISHER: London: Methuen & Co. Ltd., 1928. DESCRIPTION: FIRST EDITION SIGNED BY E. H. SHEPHARD. 1 vol, 7-1/2" x 5-1/4", si...

Milne, A. A. Now We Are Six. London: Methuen & Co., 1927. First Edition. Illustrated by Ernest Shepard. Octavo. In the publisher's original red leatherette boards, stamped in gilt, with new joints and linings, and presented with a new archival ¼ cloth slipcase. Presented is the first edition of A. A. Milne’s iconic children’s poems, Now We Are Six. This collection of verses was published by Methuen & Co, in London in 1927. It is presented here in the publisher’s original gilt-stamped red leatherette boards, with new joints and linings, and filled with E. H. Shepard’s charming illustrations. The book is now protected in a custom, archival red cloth slipcase with gilt stamped inlays...

Tropical abstraction The colors and concepts of Beatriz Milhazes In her vibrant works, Brazilian painter Beatriz Milhazes fuses two very different ways of looking at the world. Her...

“This book reveals everything about me. It’s been a 60-year contract. Photography is love and death—that’ll be my epitaph.” —Araki The first title in our new TASCHEN limited seri...

Collector's Edition of 788, numbered and signed by Glenn Brown. The main spirit that runs through Glenn Brown’s work is transformation. The motif may come from old master paintings, the color scheme from modernist ones, the mood might be set by a title that quotes from a pop song. Brown became famous (and sometimes infamous) for his unabashedly appropriative work in the early 1990s, a golden era for young British art. He rendered the thick brushstrokes of expressionist painters like Frank Auerbach or Karel Appel almost photo-realistically, carefully modeling their dashing gestures with a fine brush until his smooth surfaces deceived the viewer’s eye. Taking space fantasies...