Early 1800s Historical Memorabilia

Antique 19th Century collection of seven dog collars, made from leather and metal. Some collars have metal studs and chains while others are smooth leather. A superb piece of history...

Early 19th Century Sycamore Butter Curler This beautiful piece has been hand carved in the Georgian style, with a double curved shape and a ribbed blad...

Austro-Hungarian period safe F. WERTHEIM & C. with key, 1800s Style Vintage Periodo del design Before 1890s Production Period Before 1890s Year Manufactured 1800 Maker Wertheim & C. ...

This exceptional silver-gilt trophy was made by Paul Storr in 1802, by arrangement with the London retailer Robert Makepeace. It is in the form of a classi...

Early 19th century golden oak hall chairs, from Cawston Hall Livery Room. These are a delightful hall chairs, the superbly carved backs are...

This turned commemorative oak bowl is of deep cylindrical form applied with a silver shield-shaped plaque inscribed ‘H.M.S. Royal George. (108 Guns) Capsised 29th Augst. 1782. This P...

This fine impression of the celebrated print engraved by mezzotint engraver John Raphael Smith after a painting by Henry Danloux shows the subject on the deck of a ship in the heat of the Battle Camperdown. It is framed in an ornate giltwood frame with a paper label on the reverse showing a coat of arms flanked by the inscription ‘Admiral Lord Viscount Duncan when Victorious off Camperdown, is by permission most humbly dedicated to the Hon. Miss Jane Duncan by her most obedient Servant H.P.Danloux London. Published by H. P. Danloux No 11 Charles Street, Middlesex Hospital...

A naïve coconut shell “bugbear” powder flask carved as a fish with an open mouth surrounded by scales above a man hunting with a rifle and dogs, the underside plain, circa 1805. “Bugbear” coconut...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...