"Child Jesus", Wood, Spanish School, 17th Century, pedestal made later.

Sculpture (figural candlestick). Carved and polychrome wood, wrought iron. Castilian school, 16tyh-17th centuries. Carved and polychrome wooden sculpture placed on a simple base showing a half-naked male figure, holding with his hands a cloth that covers the lower part of his body in front and holding up a wrought iron cone...

Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and its form of expression arose from the people and from the deepest ...

Cupid. Glazed porcelain, etc. Possibly Meissen, 19th century. With sticker on the base. It presents restorations. Porcelain figurine that presents an oval and golden base on which Cupid is reclining, characterized as usual by his wings, his bow and his quiver with arrows. In addition, he carries a torch and appears with a garland of leaves. The piece presents strong similarities with figures found in clocks from Meissen, dating from the 19th century. VL Veneziani was a shop headquartered on Rome's Via Frattina (and another store on Via Gregoriana) specializing in selling antique...

Couple of children. Polychrome pine wood, Century XVIII. Pair of polychrome pine wood carvings that represent two children in an attitude of playing a musical wind instrument, both seated, with their hands towards their faces, and slightly raising one leg to add some movement to a posture that, otherwise, it would be perhaps too static. Due to their postures and attitudes, they would be part of a large and quality altarpiece, judging by the size, the details, the hair, the proportions, etc., elements in which the musical angels were not something strange. Note that those present do not have wings, calling themselves in these cases "putti" and being, in the same way, figures of habitual presence in religious environments despite having emerged from Renaissance classicism and its sources from Antiquity. The proportions of the sizes, the anatomy, the symmetry, the certain plasticism of the hair, etc. are elements that speak of an influence of Neoclassicism in these sculptures. Likewise, a certain resemblance to works from the 18th century of the Castilian school can be appreciated." Size: 22 x 42 x 85 cms / c/peanas 37 x 37 x 180 cm. Weight is merely orientative. Bases and wooden instruments...

Important German Sculpture "CHILD JESUS" 17th Century in silver metal. Sitting on a wooden base. Height (sculpture) 52 cm. Height: (total) 60 cm good original conditions

Child Jesus Polychrome and gilded wood Umbria, first half of the 16th century H 40 cm Entirely naked, the Child is standing, leaning on his left leg, his right leg forward; he keep...

18th century exceptional Italian carved wood and polychromed figure depicting baby Jesus holding the world in his hand, he has halo made from sterling silver and the globe is also sterling silver.This piece would have originally been dressed in an elaborate gown and would have been changed into different attire depending on the holy season. Extremely detailed and the carving is exceptional. this piece came from a very reputable merchant in Verona, I did inherit it from my mother in Law...

This masterfully carved 17th-century Flemish sculpture presents Jesus Christ as the “Salvator Mundi” — Savior of the World — a powerful icon of devotion and divine kingship. Sculpte...