Rare Engraving of Mount Sinai with St. Catherine's Monastery and Bedouins, 1680

Antique print titled 'Gezigt van de Berg Sinai uit de haven van Tor'. Old print depicting Mount Sinai and the rock of Meriba. Originates from the first Dut...

Antique print titled 'Harlingen, Staveren, Sneck'. Views of the cities of Harlingen, Stavoren and Sneek, Friesland, the Netherlands. This print originates from 'Thooneel der Steden e...

Antique map titled 'Tabula Nova In qua accuratè demonstratur tota Navigatio ab Amstelodami Statione per Vada vulgo de Watten Hamburgum usq.' - Two maps with the Dutch and German North Sea coast of Friesland, with West Frisian Islands and below East Frisian Islands with inset map of the Elbe around Hamburg. With title and a scale cartouche. Map by Henricus Hondius...

Antique print titled 'Kohm - Kasjan'. Old print with two views: one is Qom, the other Kashan. Both are in Iran (then known as Persia). This print originates from 'Cornelis de Bruins...

More Massachusetts Towns, illustrated with wood engravings of fifty-three Massachusetts Towns, drawn in 1840 by J. W. Barber. Commentary by Ivan Sandrof, and a special foreword by Mr...

The ancient city of Saint Malo in North Western France has long been associated with adventure on the high seas, piracy and exploration. It was the birthplace of several important in...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...