A Woman's Cloak, Uzbekistan, Late 19th century

Gold and silver wrapped thread on canvas, gold thread embroidery, embellished with decorative appliques and sequins; silk lining. Rare example of a magnificent cap worn on the Sabba...

This richly embroidered Tallit bag from Austria-Hungary, dating to around 1900, is a unique and visually captivating example of Eastern European Judaica textile artistry. Crafted fro...

Tefillin Bag Textile bag stunningly embroidered with flower scrolling overlooking an ocean in gold colored thread on both sides. Center of embroidery features a soaring phoenix with ...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...

Second half of the 19th century India Punjab Male coat of an Indian dignitary called Choga from the Punjab region (Amristar) end of the 19th century. Very fine Curry yellow pashmina densely embroidered with red silk threads and silver thread. Kimono cut with wide three quarter sleeves. Fully lined with straw yellow cotton chintz...

An antique Turkish Ottoman hand crafted silk womens robe. Circa mid to late 18th century. The robe is hand crafted and decorated with vertical stripes in a warm color scheme. The wav...

Late 19th Century woman's mantle cloak or Chyrpy with the artistic hallmarks of the Tekke tribe of Turkmenistan. Though the cloak appears to have sleeves, it is actually intended to drape from the head with the sleeve style tassels hanging in the back. The cloak is primarily made from pieced silk textiles with intricate stitching that creates traditional patterns including a stylized flower and geometric shapes. The hem is decorated with heavy silk fringe and the interior is lined in contrasting printed cotton fabrics. It is a beautiful piece of textile art worthy of display or drape it on the shoulders as shown in the photographs. This special piece is from the estate and private collection of Peggy Slappey, a well traveled lady who passionately collected textile art from Central Asia. Additional items from Ms. Slappey's collection are available on the Modern & Moore homepage including Ikat robes...

A 19th Century Turkish ottoman period kaftan Height 136cm, width 159cm This antique kaftan dates from the Ottoman period in Turkey during the 19th Cent...