Baseball Player Doorstop with Original Paint

Fleming, Ian. The Man with the Golden Gun. London: Jonathan Cape, 1965. First edition, second state printing. Octavo printing. In the original publisher’s black cloth boards with gil...

Offered is a unique collage featuring signatures from some of the greatest captains in history: Claire Chennault, Henry “Hap” Arnold, Hoyt Vandenberg, Carl “Tooey” Spaatz, William “Billy” Mitchell and Edward “Eddie” Rickenbacker. These men are some of the most influential figures in U.S. Air Force history. Each captain was involved in WWI and/or WWII, some were aces who proved the usability and effectiveness of airpower, and others were brilliant leaders who paved the way for U.S. victories and the development of the U.S. Air Force. This framed collage includes original signatures on cards, a letter, and a photo. A photo of a biplane is featured at bottom and includes signatures from Claire Chennault, Hap Arnold, and Hoyt Vandenberg. There is also a letter, dated 1942 and featured prominently in the center of the collage, that is written to Elwood Maurer and signed by Carl Spaatz. Two cards appear on either side of the letter, with signatures from Eddie Rickenbacker and William Mitchell. Complimentary black and white photographs accompany the signatures elements as well as a decorative pair of WWI pilot wings...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Offered is a custom signature collage, celebrating Dwight D. Eisenhower. The collage features a one page typed letter from President Eisenhower, dated December 17, 1966, paired with ...

A vintage cast iron doorstop showing a geranium plant set inside a woven checkered flower pot on an iron plinth. Retaining the original painted finish. Beautiful patina. Circa 1930 ...

Wurlitzer juke box, genuine original 1948 model. From 2021 Re-Edition, Audio Equipment for Lazers Discs (CD).

Wonderful decorative vintage cast brass doorstop, sculptural and masculine, in the shape of a Spanish Galleon.

This doorstop, also known as "Overhead Swinging Golfer," is more difficult to find than it's "Putting Golfer" counterpart doorstop; which is also made by Hubley. Manufactured by the Hubley Manufacturing Company of Lancaster, Pennsylvania in 1920, this cast iron doorstop is in outstanding all original bright paint with no touch up or restoration of any kind, and in wonderful patina. It depicts an older, grey haired man, with typical knicker golf garb, taking a wild swing at a golf ball resting on the grass. It has a semi "hollow" rear with a "238" factory marking, indicating that it is, in fact, by Hubley and original. It is noted in Jeanne Bertoia's 1985 book on doorstops page 60; and referenced on page 211 of the Smith book on doorstops. A must for the doorstop or golfing memorabilia...