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Pompeian Bronze Co Bronze Clad Figurative Bookends, 1920s
$495per set
£375.80per set
€429.83per set
CA$691.59per set
A$769.20per set
CHF 401.65per set
MX$9,360.29per set
NOK 5,129.68per set
SEK 4,810.74per set
DKK 3,207.99per set
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About the Item
Heavy pair of vintage bronze plated bookends depict a seated scholar reading a book. The bookends are attributed to Pompeian Bronze Co, who were manufacturing this style of bookends in 1920s.
The bookends are in good vintage condition with beautiful, age-appropriate patina.
The Pompeian Bronze company was founded in Brooklyn, NY, in early 1900s. They specialized in bronze-clad or electro-clad pieces, made by adhering a skin of bronze to a plaster sculpture through a chemical process (similar to silver-plating), that were very popular in the early 1900s and were done by a number of different companies. Pompeian Bronze produced catalogs of hundreds of pieces ranging from ashtrays to lamps. Sone of their designs were inspired by well-known artists, such as Auguste Rodin or Claire Jeanne Roberte Colinet, but some bookend designs (repurposed as lamps, sculptures, and other decor items in the company catalogue) were created specifically for Pompeian Bronze and patented by Peter Manfredi in early 1920s. By the late 30s the company has gone out of business.
- Creator:Pompeian Bronze (Manufacturer)
- Dimensions:Height: 6.5 in (16.51 cm)Width: 5.2 in (13.21 cm)Depth: 3 in (7.62 cm)
- Sold As:Set of 2
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1920s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421143075612
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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