Cut Steel Home Accents

Vintage pair of polished cast brass duck bookends, circa 1950. Pair of polished decorative brass duck bookends in Sarried style. Very sturdy and heavy. Pair of midcentury vintage cas...

Pair of wrought iron bookends representing antelopes. Stamped Zadounaisky. In very good condition. Height: 19cm Length: 19cm Thickness: 4cm Total weight: 1.3 Kg Michel Zadounaïsky,...

Pair of Lucite / Acrylic bookends by Ritts and Co. - super sleek and perfect for any space. Especially good for the modern or minimalist space. The pair a...

Cherrywood Italian Modernist tambour screen/ room divider. Beautiful interior design element crafted from vertical cherrywood slats that can be rolled up and opened in numerous dynam...

Large pair of Hollywood Regency polished brass bookends by Sarreid Ltd. This handsome pair of brass bookends is the largest size we have seen. Dimensions: 10" H, 7.25" D and 5.5" W. They are in great condition and date to the 1960s. This pair of Sarried brass...

A unique Italian 1970s handmade gilt wrought iron screen room divider by Salvino Marsura decorated with flowers and leaves, stamped "Marsura" Salvino Marsura is an Italian artist bor...

A beautiful, and in lovely condition, pair of Mars and Venus Curtis Jere sculptures or bookends depicting the male and female gender symbols on square bases made of gold leafed cast iron. In beautiful condition with original patina and signed "C. Jeré 1968". The gilt really adds a nice warmth and glow. These would look exquisite displayed in a lit bookcase, in a master bedroom, master bath...

An impressive pair of blue geode bookends with a long history. Brightly colored with naturally formed patterns caused by fossilization over hundreds of years. Finished with a highly ...

Dramatic very large ornate coromandel screen having gold background and meticulously carved and painted figural scenes. Back side is solid color lacquer.

Pair Of Art Nouveau Bookends

A pair of hand-carved alabaster marble bookends, made in Italy circa 1960. These sculptural bookends boast tones of auburn, ochre, and pewter. Original sticker on verso of one mushro...

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...