Elegant French Room Divider by Jomain Baumann

Mid-Century Modern bamboo wooden folding screen, screen or partition with four wall panels. Bamboo in combination with a beautiful drawing of flowers and birds in cheerful colors lan...

Kai Kristiansen set teak bookends Denmark Mid-century small teak bookends attributed to Kai Kristiansen, manufactured in the 1960's by Feldballe Møbelfabrik in Denmark, made of so...

Discover the timeless elegance of the Midcentury Side Table, a masterpiece by renowned designer Peter Ghyczy. Crafted in the 1970s, this side table showcases a pioneering design wi...

Discover the timeless elegance of our Danish design wooden planter box, crafted in Denmark in 1960. This exquisite piece combines vintage charm with modern functionality, making it...

Baumann Fils & Cie midcentury Paravent Paris room divider screen This room divider measures: 142 wide x 1 deep x 63.5 inches high All pieces of furn...

Large 1920s Tambour screen by the French manufacturer S.N.S.A. Made in stained pitchpine. Its flexible structure allows it to stand freely and shape curves, perfect for a dressing ro...

A cream leather room divider consisting of three separate panels each connected using leather hinges and adorned with studded hardware along the e...

Spectacular sculptural room divider by Fred Leyman, custom-made for Majorna Library in Gothenburg in 1963. This piece is one of four that are each unique, made from wrought iron and hardened leather. The room dividers were granted substantial public interest and the studies for them were subsequently exhibited at Liljevalchs Konsthall in 1966. They were returned to the artist in the 1990s and acquired by Nordlings from the Leyman family in 2016. Fred Leyman was a Swedish artist, schooled at the renowned Valand Art Academy in Gothenburg during the 1950s. Leyman worked in a distinctly modernist style influenced by the international modernist movement, music, political ideas and the environment in which he lived. He is best known for his around 40 large-scale sculptures erected in public spaces in Gothenburg and other parts of southwestern Sweden. Fred Leyman lived on the island of Orust with his wife and children, in accordance with what he found to be ”a good life” – close to nature on a small farm with sheep and horses. He was also deeply interested in music, particularly traditional folk music. Both the open, marine landscape of Orust and the rhythmical qualities in music were vital forces in his artistry and in the development of his personal style. Leyman used iron and steel and sometimes wood and leather in his sculptures. These are characterized by sharp and billowing graphic lines and the use of negative space, seemingly always reaching somewhere. It is an expression striking the perfect balance between abstract and concrete. Leyman’s materials of choice were particularly suitable for large and sustainable...