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"Pan in Paradise, " Spectacular Art Deco Folding Screen by Labaye

Price:$19,500
$25,000List Price

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"Bathers", Art Deco Folding Screen in Blue & Green, Sennhauser, Gracie & Sons
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A vivid example of late Art Deco painting, executed in a pointillist manner, this four-panel screen was created by John Sennhauser, a Swiss-born artist who was active in New York fro...
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"Pan in Paradise, " Superb Art Deco Mural Study by Petersen
By Einar Petersen
Located in Philadelphia, PA
Gorgeously detailed and voluptuously painted, this superb depiction of pan playing his pipes in a paradise full of extravagant life -- including rabbits, squirrels, crested birds and...
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"Rhythm, " Design for Art Deco Folding Screen w/ Nudes, Gold, Magenta & Charcoal
Located in Philadelphia, PA
Dating to the late 1930s or early 1940s, this fabulous design -- entitled "Rhythm" -- for an Art Deco folding screen depicts several nude figur...
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"Nymph and Fawn in Paradise, " Superb Art Deco Mural Study Painting by Petersen
By Einar Petersen
Located in Philadelphia, PA
This quintessential Art Deco scene, with its nymph in Arabian costume offering a dish of water to a spotted fawn, was painted by Einar Petersen, a California artist known for his exo...
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"Near the Ocean Floor", Art Deco Lacquered Screen w/ Fish & Coral by Jallot
By Léon Jallot
Located in Philadelphia, PA
Unique and extraordinary, this two-panel Art Deco folding screen by Léon Jallot depicts an array of sea life near the ocean floor, including exotic...
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Vintage 1930s French Art Deco Screens and Room Dividers

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"Satyr and Nymph", Art Deco Masterpiece Painting with Nudes in Paradise, 1932
Located in Philadelphia, PA
One of the most sensual and brilliant Art Deco paintings in the French manner that we have ever offered, this idyllic scene of Satyr and Nymph, lounging under a fruited tree with lush fields in the distance, was painted by Gheorghe Labin in 1932. Labin was one of Romania's avant-garde artists in the 1920s and 1930s, and clearly he trained in Paris, because the lush scene, brilliant palette, and confident brush strokes indicate an intimate familiarity with the leading painters associated with what we now call Art Deco. This painting was entered into the Salon Bucarest in 1932, in a period when Labin exhibited with Mattis Teutsch, the de facto leader of Romania's modern painters, together with Corneliu Baba...
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