Richard "Dick" Harvey Sculpta Grille Room Divider by Modernica

This is a beautifully restored sideboard by Edward Wormley for Dunbar. The cabinet has plenty of storage and is executed in a rich mahogany with darker banded wood on edges. Cabinets has 4 front doors...

Beautiful large Brutalist sculpture by John De La Rosa.

If a space-age honeycomb and a brutalist dream had a baby, it’d be this sculptural stunner. **We ship worldwide—often for the same cost as stateside. Our rates are insane. Message for a quote** This sculptural screen is part of the legendary “Sculpta-Grille” series by architect Richard Harvey, who brought space-age swagger to Mid Century architecture with his futuristic resin forms. Originally conceived for use in commercial spaces like banks, casinos, and mod lounges, these panels were designed to divide space and steal the show. Today, surviving examples are rare—and coveted by collectors, designers, and editors alike. This particular beauty is the cleanest one we've come across: the resin is bright and crisp, and the walnut base is rich, warm, and glowing with just the right amount of vintage character. It’s photographed here in our gallery alongside a Marta Blomstedt style scalloped back chair. We currently have this paired with a Paul Evans credednza, Milo Baughman sofa, and Hans Wegner Papa bear chair and not only does this piece hold its own-- it steals the show and makes a bold mid century modern statement! Use it as a room divider, sculpture, or gallery wall anchor. It’s not just décor—it’s a conversation-stopping design artifact. And bonus: we also have a second screen available, with more patina and a softer, creamier buttery ivory tone. Display one solo for impact, or double up for a modular moment worthy of a museum. Richard Harvey’s Sculpta...

Spectacular sculptural room divider by Fred Leyman, custom-made for Majorna Library in Gothenburg in 1963. This piece is one of four that are each unique, made from wrought iron and hardened leather. The room dividers were granted substantial public interest and the studies for them were subsequently exhibited at Liljevalchs Konsthall in 1966. They were returned to the artist in the 1990s and acquired by Nordlings from the Leyman family in 2016. Fred Leyman was a Swedish artist, schooled at the renowned Valand Art Academy in Gothenburg during the 1950s. Leyman worked in a distinctly modernist style influenced by the international modernist movement, music, political ideas and the environment in which he lived. He is best known for his around 40 large-scale sculptures erected in public spaces in Gothenburg and other parts of southwestern Sweden. Fred Leyman lived on the island of Orust with his wife and children, in accordance with what he found to be ”a good life” close to nature on a small farm with sheep and horses. He was also deeply interested in music, particularly traditional folk music. Both the open, marine landscape of Orust and the rhytmical qualitites in music were vital forces in his artistry and in the development of his personal style. Leyman used iron and steel and sometimes wood and leather in his sculptures. These are characterized by sharp and billowing graphic lines and the use of negative space, seemingly always reaching somewhere. It is an expression striking the perfect balance between abstract and concrete. Leyman’s materials of choice were particularly suitable for large and sustainable...