Room Divider Hand Painted 4 Panel Screen

A pair of hand painted panels with urn, parrot and floral motif. Circa. 1920's. California Rancho or Spanish Revival style. Warm, old world glow and patina. Can be mounted to a wall side by side or separately. Originally part of a 3 or 4 panel floor screen...

Highly carved camphor wood trunk / hope or blanket chest. Trees, figures and sail boat motif. Very nice original condition and finish. Brass ...

Old world primitive charm to this Early American pine blanket chest. Original hand wrought iron hinges, original lock. Hand made with hand scribed dovetail joinery along all four cor...

Michael Costantini abstract painting titled "The United States of America". Acrylic on wood panel. Signed and dated 2018. Signed on verso.  

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Industrial style painting with an upward angle creates a dramatic view of skyscrapers, telephone poles and a serviceman in a lift at work. Artist signed...

Three panel hand painted room dressing screen divider, Italy. A 1800s Italian Neoclassical 3 panel floor screen, room divider. Hand painted on ...

Opulent, large scale, Maitland Smith hand-painted room divider folding screen. The Greco-Roman themed folding screen features neoclassical architecture and sculpture as decadent as the halls of the Roman Senate. Each of the four panels measures 34″ wide! The screen stands at 8 feet tall. The palatial scene could easily be used as theatrical backdrop...

Amazing Asian 4 paneled screen. Features hand painted depictions of herons wading in the brush. Additional information: Material: Brass, wood Color: Black, gold, green, white S...

From time to time we come across pieces that are so unique and desireable and this six panel screeen has to be one of them On one side it features hand pained cherub scenes whilst on...

Incredible vintage hand painted screen panels designed by Robert Crowder in the United States, circa 1960s. These screen panels have a design that takes us back to the typical gardens of ancient Japan, which fell in love with the eye and spread peace to visitors. It features six rectangular panels with a white background, which simulates an elegant oil painting...

Step into the world of traditional Chinese design with this beautiful six-panel Chinese Lacquered Room Divider. It shows off detailed carvings and colorful hand-painted scenes, bring...