Early 20th Century Racks and Stands

Thonet Style Wall-Mounted Bentwood Coat Rack, Early to Mid-20th Century Dimensions: Height: 14 in (35.56 cm) Width: 20 in (50.8 cm) Depth: 8 in (20.32 cm) Description: Evoking the ...

French Art Nouveau umbrella stand, France, ca.1900. Patinated cast iron. Removable tank. Height: 28.7"(72.8cm), Width: 23.4"(59.5cm), Depth: 10.2"(26cm). Very rare! Magnificent model...

This is a beautiful quality c.1900 bamboo hall stand in the Chinoiserie manner. The condition is very good for a piece made entirely of real bamboo. A few ...

Gustave Serrurier-Bovy wall coat rack, circa 1905, Belgium. Oak, brass. Stamped at the back: Serrurier Liège. Dimensions: 104 cm W, 64 cm H, 36 cm D. All purchases are covered by our...

All handcrafted and cool looking antique stand (with marks underneath). If you are looking for something special to decorate your entrance, hallway, living room, kitchen, bathroom o...

An exceptional antique Mission or Arts & Crafts oak umbrella stand In the manner of Stickley USA, Circa 1900 Measures: 9.75"W x 9.5"D x 26.25"H. Good original vintage condition.

Old Arts and Crafts pottery umbrella stand in matt green glaze, circa early 20th century. I think this was made by Brush-McCoy Pottery. 17" high, 8" diameter. Chip on footrim, marks ...

Parasol made of silk and fabric around 1920s Original condition The last 5 pictures shows that the material is not in excelent condition.

Originally used in a church, this impressive French hand-forged iron music stand is designed so that a musician can stand on each side. Candleholders extend on the left and right to ...

Stunning and rare pair of Art Deco Modernist coat racks. Design by P.E.L. Izeren for De Genneper Molen. Striking Dutch design from the 1920s. Solid oak and original oak veneered fram...

Museum quality and condition Art Deco coat rack. This geometrical coat rack from the Dutch Art Deco era is a design by Paul Izeren and executed in the studio of 'De Genneper Molen' ...

Stunning Nouveau coat racks made in bent walnut wood. Two pieces available. This charming coat racks were designed by the mastery of Michael Thonet and produced in the early 1900s in...

A beautiful whimsical early 20th century German Black Forest carved and hand painted head, mounted to a carved back with oak or marble leaves. Nice addition to a hunters loge or any ...

Amazing and rare Art Deco Modernist magazine rack. Design by Frits Spanjaard for L.O.V. Oosterbeek. Striking Dutch design from the 1920s. Solid oak and original oak veneered frame...

Original massive brass coat hanger by Adolf Loos, designed in Vienna in the year 1907. This famous Elephant coat hanger was used in the apartment of Paul Khuner, 1040 Vienna. Docum...

Circa 1900 period Edwardian oak still or umbrella stand that fits in a corner. The top is decorated with finials and a curved front rail and simple side rails. The top is supported...

Fine quality Arts & Crafts picture / painting stand in excellent condition. This beautiful gallery easel comes with two large hand crafted wooden pegs for holding your large size pa...

Vintage mid-century gentlemen's valet. Dark walnut and features shelf for cuff links or jewelry and bars for hanging clothing.

The patina, the form, the function and the overall presentation of this antique Aesthetic Movement mahogany hall tree make it worth a second and third look. It has all the elegance ...

Stunning design and good condition, hand crafted oakwood wall coat-rack with unique tiles. This rare and highly stylish Art Nouveau / Jugendstil coat rack is entirely original and i...

An Arts and Crafts walnut Hall stand by Shapland and Petter with a copper panel depicting a mythical creature to the top, leaf cut-outs to the centre with circular ball uprights to e...

Antique Italian Renaissance Figural Religious Carved Walnut Hall Tree Quilt Rack. Item features raised panel religious carving to center, relief carved sold...

This nice and simple square umbrella stand is made of brass with a cast iron base. This is a French. work. Circa 1900

French Art Nouveau cast iron umbrella stand, circa 1900. Rare in this color. This exquisite French Art Nouveau umbrella stand dates back to circa 1900 and is crafted from high-qualit...

Graceful Art Deco wall-mounted hallway set consisting of an umbrella stand and a coat rack incorporating a small mirror. Cast iron and oak. The lower um...

This is a wonderfully decorative three peg wall mounted coat/hat/clothing rack with a carved faux bamboo backplate. The backplate is 17.5 inches long, 2 inches high and 1.25 inches d...

Early 20th century carved towel rail circa 1910. Good quality towel rail made from mahogany and pine.  Decorative carved shells to the top with further carvings to the supports.  3 ...

Stylish and seperable/demountable antique bookcase. This rare, three-tier and free standing bookcase could be the perfect finish to a small area for reading, rest and relaxation. Ho...

Excellent condition, Arts & Crafts handmade solid oakwood picture stand. This beautiful gallery easel is another one of our recent rare finds and it...

A classically shaped antique Chinese cypress water bucket with original cast iron handles and straps with lovely old wood patina. The rustic country style bucket has many practical u...

A good early 20th century large bentwood coat stand. Circa 1900. Standing on four large down-swept legs, each with a scroll enclosing a circle radius to hold sticks and umbrellas. T...

From Rome, Italy this beautifully ornate coat hook. Finished in ebonised wood with golden serpent detail. Dim; W: 150 cm H: 40 cm D; 20 cm

A masterful example of Swiss Black Forest craftsmanship, this c. 1900 linden wood hall tree is by the esteemed Seilar-Brawant workshop of Brienz. Towering in scale and rich in detail...

A good Arts and Crafts oak Hall stand by Shapland and Petter with a seat to the left and a mirror and glove drawer to the right, the lower section with Shaplands typical square shape...

This elegant coat rack from the 1930s embodies the Art Deco style and was crafted in Czechoslovakia by the renowned Thonet company in Bystřice pod Hostýnem. Its structure, made of st...

A handcrafted thick saddle leather vintage British fire , powder bucket with handle and canvas interior . A matching strap handle with grommets attach it to the container which can b...

Fabulous carved and paint decorated in the Arts & Crafts manner. Copper bottom with cutouts on all four sides. This item can be parcel posted. Feet to keep it elevated. In excellent ...

1920s English book rack. I’m actually not sure what this was used for. It has 5 holes drilled on the inside of it. Nice inlay, brass casters.

France / 1915 / Coat Rack / oak, brass / Art Nouveau / Art Deco Nicely shaped coat rack in Art Nouveau style, hand crafted in France around 1915. This rare to find wall mounted rack...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Found in France, this iron Art Deco hall stand dates from the 1930s. Forged iron work in the style of Edgar Brandt features a footed umbrella stand at the base with fan-shaped decora...

Cast brass made in Austria, circa 1900 Up to six available, price per piece.

Industrial coat rack from Bauhaus factory built in 1920s. Original condition with losses on chrome. Cleaned, polished.

This antique walking stick or umbrella stand is unsigned, but presumed to have originated from England and date to approximately 1900 and done in the period Edwardian style. The stan...

Art Deco wardrobe chrome - 1940s This beautiful French wall coat rack from the 1940s is in the streamline modern Art Deco style. This style emphasized curvy streamlined shapes. This...

Charming Dutch Arts & Crafts, Folk Art chip carved coat rack with gorgeous original brass hooks from the 1920s Richly decorated and fully hand carved on all sides with exquisite cr...

Circa 1900-1910 Warm oak patina hand made barley twist cane stand with simple lines, six sectionals and original metal drip pans. Compact size and e...

Vintage industrial black iron two-wheeled cart or hand truck, circa 1900. Top front bar unhooks at left side and swivels.

Stunning and rare Art Deco Modernist coat rack. Striking Dutch design from the 1920s. Solid oak frame with original padouk elements. Five original padouk hooks. This wonderful Art De...

Vintage industrial sausage rack, meat hooks, 4 hooks (also called dents de loup or wolf teeth), from a butcher's shop, first half of the 20th century, France. Lightweight but extrem...

An original French Art Deco hand-hammered iron hall tree complete with hat, coat and umbrella accommodations. The architectural and linear design depicts rose flowers with scroll des...

Vintage hat box is a precious old decorative object realized in the early 20th century. This vintage hat box belonged to the famous sculptor Aurel...

Enhance your hallway decor with the elegant and functional Emile Gallé hallway tree coat rack. Featuring exquisite craftsmanship and a timeless design. the coat rack comes with its ...

A top quality Arts and Crafts oak Hallstand by Shapland and Petter with bevelled mirror flanked by a circular copper disc with hat and coat hooks, stylised cut-outs and stylised flor...

Art Deco wardrobe chrome - 1930s This beautiful French wall coat rack from the 1930s is in the streamline modern Art Deco style. This style emphasized curvy streamlined shapes. This...

Thonet Art Nouveau Wall Mounted Coat Rack Vienna c.1900 Bentwood - Art Nouveau - 1900s Anteroom coat rack model N°10806 with eight coat hooks and a flap door acting as a pocket holde...

Liberty's of London An Elegant Arts & Crafts Magazine / Newspaper Rack, early 20th century, mahogany, the central 'V' section magazine rack over under tier shelf, within spindle and...

Art Deco vintage chromed tube steel wardrobe with six coat hooks, one mirror, two umbrella stands and a shelf, plus a removable drip tray of the umbrella stand. A wonderful wardrobe,...