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Midcentury Brass and Chrome Umbrella Stand, Willy Rizzo, Italy, 1970s
$1,437.77
£1,070.33
€1,200
CA$1,969.39
A$2,190.39
CHF 1,143.75
MX$26,654.72
NOK 14,607.48
SEK 13,699.24
DKK 9,135.18
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About the Item
Stunning square umbrella stand in woven brass and chrome. This incredibly elegant piece was designed in the Italy in the 70s in the style of Willy Rizzo.
In fabulous condition, this umbrella stand consists of an elegant weave of chrome and brass, the contrast between the brass and the chrome is simply amazing and enhances the light refraction.
An unique piece perfect to add elegance to a Mid-Century entrance or studio and astonish your guests.
Measures in cm:
Depth - 21
Width - 21
Height - 49
Imagination and necessity launched Willy Rizzo into the world of furniture design. As a photographer of Playboys and Starlets, he had a ready-made customer base eager to build their living quarters around an ultra-modern Rizzo piece and items that remain as timeless as his images.
Rizzo's original venture into furniture design began in Rome and took place during an often reported visit to a Roman hair salon on the Piazza di Spagna in 1966. By testing the hairdresser's knowledge of local real estate agents, he ended up signing a six-month lease on an abandoned commercial apartment, barely habitable and without running water. Rizzo quickly set about turning the empty office into a living space, complete with brown and gold walls and custom-designed sofas, coffee tables, consoles and hi-fi storage units.
Using a small group of local artisans recommended by the hairdresser who pointed him toward the accommodation, he completed the customised apartment, which acted as a template of sorts for the majority of his commissions to come.
Though never his intention to become a furniture designer, Rizzo's friends, clients and contacts, many forming the upper crust of the fashion and film industries, fell in love with his creations and he was swamped with orders and requests.
Fittingly, Rizzo's first commission came from Ghighi Cassini, the American Hearst newspaper columnist and socialite who coined the term "jet set" to describe the socialites and socialite lifestyle that Fellini immortalised in La Dolce Vita. Willy's work for Cassini effortlessly blended neoclassicism with modern styles and its success brought a swathe of Italian high-society to him.
Willy Rizzo was uniquely placed as a designer for the Dolce Vita, being himself a part of the world for which he was designing. Infamous playboys, such as Rodolfo Parisi, Gigli Rizzi and Franco Rapetti, were some of his earliest clients. Salvador Dalí commissioned a number of pieces, as did Brigitte Bardot for the interior of La Madrague in St. Tropez. Being a consummate playboy of the era, Rizzo's client list is testament to how close his furniture was to the mark.
By 1968, Willy's work was in constant demand, leading to the setting up of his own firm and the establishment of a factory just outside Rome at Tivoli, which employed over 150 staff, including the original team from his early apartment transformation.
Over the following ten years, Rizzo designed and produced more than thirty pieces of furniture, including the famous steel-banded travertine dining tables and bronze table lamps, all of which were handmade. He opened boutiques across France and Europe and had points of sale in New York City, Miami and Los Angeles. However, in 1978, Rizzo gave it all up to return to photography, his first love.
Willy Rizzo's furniture design channelled the sophistication of Mies van der Rohe and Le Corbusier, his pieces combining clean, simple lines with bold geometric forms and delicate handling of materials. His lack of formal training in furniture design placed him outside Italy's strong, indigenous design traditions, making his style utterly unique at the time.
While Rizzo bought into the modernist principles of functionality and simplified forms, he deliberately avoided mass production, modern materials and industrial design, despite designers such as Giò Ponti endorsing the movement. Rizzo remained focused on a doctrine of traditional materials and craftsmanship, a response to the contemporary cultural environment, as opposed to current design trends.
"It was never about recreating classic styles in modern furniture, that wasn’t the point. It was about creating something new for a traditional setting," Rizzo explains.
Willy Rizzo's furniture is now widely exhibited, notably in the Metropolitan Museum in New York. He returned to furniture design for a period in the late 1980s and then again in the mid-2000s, in collaboration with Paul Smith and Mallett Antiques. In 2010, at the age of 82, he opened his first gallery in Paris with the help of his wife, Elsa and his son, Willy Rizzo, Jr.
- Similar to:Willy Rizzo (Designer)
- Dimensions:Height: 19.3 in (49 cm)Width: 8.27 in (21 cm)Depth: 8.27 in (21 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:
- Seller Location:Roma, IT
- Reference Number:1stDibs: LU3067341924002
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Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer.
Rizzo was born in Naples in 1928 but moved to France at an early age. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci.
In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and traveled to Tunisia for Point de Vue to photograph the conflict in North Africa, which was later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, which allowing him to capture these public figures in unusually candid moments.
Hoping to advance his career even further, Rizzo traveled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in color, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects.
In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue.
Over the course of his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before she tragically committed suicide a few weeks later.
In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions.
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