Japanese Furniture

An antique Japanese Meiji era enamel bowl. The bowl is covered with polychrome enamel foliage and floral patterns made in the Plique a Jour technique. Mounted on three legs. Circa: e...

A masterpiece, rare, 19th Century Japanese bronze Jardinière/centerpiece of a group of Japanese travelers on a boat, signed on the bottom, Genryusai Seiya...

Sharing this lovely Japanese Imari deep dish from the Meiji period. With very nice floral design. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Perio...

A Japanese antique furniture coffee table produced in the Taisho period. It was made by applying traditional techniques used in Japanese shrin...

This is a stone statue of Kannon Bosatsu (the Bodhisattva of Compassion), believed to have been made in Japan during the mid to late Edo period (late 18th century onward). The materi...

Sharing with you this unusual and magnificent plate from the Meiji period (19th century). It has a very interesting and lovely imari scene Unmarked at the base. Additional informat...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Obata Tosho (1812-1886) Grasshopper & Hibiscus. Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and flow...

A beautiful work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese artists to combine Western-style elements with the traditional methods of woodblock printmaking. This work is known as "Dancing Figure (Eshima)" The print is signed (in white ink within the image) and sealed (in red) by Kawano. This work is a quite rare self-printed lifetime double dai Oban large-size print. The quality and colors are striking. It is likely from a limited edition and perhaps numbered on the lower margin (we can not verify as it was previously framed but we are confident that this is the case). A very beautiful and rich image. Would make for a great addition to any Japanese art and print collection or Stand-out accent work in about any setting. Frame dimensions: 30.5" high, 20.5" wide, .5" deep Viewable art...

It is an old jar baked in Japan. It seems to be in the Edo period (1700s-1800s). The unique distorted shape is beautiful. The color and balance of the gla...

A fine large antique Japanese Meiji porcelain bowl. With a white ground and extensively gilt throughout. Primarily decorated in red, blue, and gold with bits of green, brown, and ...

Extraordinary contemporary Japanese museum-quality decorative porcelain vase, stunningly hand-painted in blue, green and orange on a gracefully shaped ...

Just discovered from an old southern Japanese area garden and now in our Kyoto warehouse. Call or message us to reserve- now en route in our container from our Kyoto warehouse Fo...

Hanten is a type of traditional Japanese garment that is often referred to as a "short coat" or "jacket". `it has a loose, kimono-like design with a straight collar and is typically ...

A large antique Japanese Meiji era, 1868 to 1912, cloisonne enamel vase decorated with an image of tennin, a beautiful winged woman dressed in ornate kimono with a flowing scarf that...

Three Patinated Brass Bud Vases Sculptural long neck Unmarked attributed to Japan Large 11 h x 4 diameter Medium 9 h. X 3.5 diameter Small 6.75 h x 2.5 diameter Preowned original vin...

A vintage Japanese two-tiered candelabra with eight arms and verdigris patina. Immerse yourself in the serene elegance of Japanese design with this vintage two-tiered candelabra, a piece that marries the aesthetics of Japan with the timeless beauty of traditional lighting. This candelabra, featuring eight arms and a captivating verdigris patina, is a testament to the craftsmanship and understated elegance of vintage Japanese décor...

19th century Shibayama four Panel screen Meiji Period Japan C.1880 Mother of pearl inlay in black lacquer depicting a bird in relief with cherry blossom. The lower section with gilt panels, and the reverse red lacquer with tree silhouettes.

Pair of Doggy Lamps by Wan Wan Wonderland (Tokyo, Japan) Sold as a pair with one of each lamp. Please inquire about purchasing individual lamps. Delightful...

A Meiji period netsuke depicting a formidable figure of an oni (demon) with a golden face and red hair. Onis were thought to ward off evil spirits and were often depicted on netsuke ...

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 4. Measures: 30 x 9.5 cm 30.5 x 8.5 cm 30.5 x 9.5 cm 30.5 x 8.5 cm ...

This is a beautiful example of the perfection of Japanese Minimalism design that dates to the Showa or possibly Taisho era. The simplicity of the circular form and minimal decoration...

This is a small antique Meiji posy vase. A Japanese, Nagoya cloisonne baluster urn, dating to the late Victorian period, circa 1900. Charmingly petite example of Nagoya cloisonne Di...

108 years-old wooden small tansu (chest of drawers) with 4 drawers. Finished with traditional Urushi lacquer. The original laquer remains well & gives a good wabi sabi touch. Each handles are partly covered with Boro (hand-woven, indigo dyed cotton cloth) - this is another wabi sabi element of this tansu. Smooth opening & closing operation for all drawers. Product of Taisho 5 (1916), written on the bottom together with maker's address & name. drawer inner w 5.79 in / d 12.6 in / h 1.38 in, 1.69 in, 2.28 in, 2.64 in (from the top) actual item weight 5.95 lb (2.7 kg) *** We're eco-friendly, organic-oriented vintage wood furniture...

A beautifully composed woodblock print by famed Japanese printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contemporary Japanese printmakers of the 20th century. This print, which is titled "Daitoku-ji Kyoto (D)" is from a series of Kyoto temple images that Saito created. The woodblock print features strong, contrasting colors, beautiful wood grain, and a complex design - the cross-shaped walkway pattern which is highlighted by the small precisely placed stones is repeated on the temple wall. The wood grain in the yard, temple walls and sky add another layer of compositional depth. The print is signed in black ink and stamped/sealed in red within the image It is likely titled, dated (1960), and numbered (from a limited edition of 150) in pencil by the artist in the lower margin but hidden below the mat. Saito's "self-carved, self printed Kiyoshi Saito" personal label with his red chop seal...

A lovely Satsuma vase with Geishas/Elegant ladies in a landscape/pagode scene. Marked base. Additional information: Material: Porcelain & Pottery Japanese Style: Satsuma Region of O...

This is an old Japanese drawer storage shelf. The frame is made of Sen wood. It was made in the early Showa period. There are 24 drawers and it looks amazing. It will become the foca...

Here's a beautiful and unique way to accent your indoor display space with this special treasure from Japan. This is an attractive solid and finely cast effigy of an elegant horse ...

American Beauties, Women in Art and Literature, edited by Charles Sullivan. Hardcover book with dustjacket. First edition published in 1993 by Harry N...

Two piece antique four drawer tansu chest with metal lock plates and side stacking/locking clasps. Crafted in 19th century Meiji period, the chest is made of kiri wood, known for its...

A truly gorgeous, sumptuously, richly, and darkly glazed, hand-decorated large Japanese studio pottery charger. The craftsmanship is exquisite. The piece radiates in the light and features an abstract trailed glaze design. The work is very reminiscent of Japanese master potters Shoji Hamada and Toshiko Takaezu (the previous owner lived half of each year in Hawaii where Toshiko lived and collected both her and Hamada's works). Possible marker's impressed mark/ chop signature along the edge of the lower rim (please see photos). Would be a great addition to any Japanese or Asian pottery/ ceramics...

A truly beautiful and supremely serene Japanese Amida Nyorai Buddha. A magnificent work. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Seated with narrowed eyes in deep meditation and hands in Buddhist Abhaya Mudra position offering a blessing of protection, reassurance, peace, and benevolence. This hand position, also known as the "fear not" gesture, was achieved by Buddha immediately following his enlightenment. This work is from the late Edo period, (1603-1868)/ early Meiji period (1868-1912). From a California collection. Would be a fantastic addition to any Japanese or Asian artifacts/buddha collection or eye-catching stand-alone accent work in about any setting. One of the best Japanese Buddha sculptures...

Set of 5 Japanese vases, early 20th century. The four smaller vases are late Meiji to early Taisho period (1900-1920). The large vase is from the Showa period (1926-1930s). The measu...

Wonderful collection of five antique Japanese imari plates having five quality antique Japanese imari plates decorated with flowers, trees and scrolls hand painted in stunning red, w...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

This is a matcha bowl which we use during a tea ceremony in Japan. There are a signature written on the bottom of this bowl 'Mizuho'. This matcha bowl was made in Japan around 1990s ...

Vintage Citizen maritime slave clock designed during the 1970s and produced till 1990s. These clocks were used on large Japanese tankers and cargo ships. It features a red iron body,...

Postmodern chrome table lighter. Excellent vintage condition, works great. Great decorative collectible rare vintage table lighter. Lighter made by Sarome, Asia Japan. Measure: 5.75 in H, 2.5 in D. About Sarome: SAROME Japanese cigarette lighter manufacturer founded in 1940. The brand is named after SAROME, god of flames, object of fascination for humans. SAROME artisans craft delicate, glossy lighters in Tokyo to fascinate and enchant. Though known early on in Europe mainly for our superb crafting of cigarette lighters the luxury brand spread Worldwide. Sarome lighters...

This very nice edo period, 1680-1700, example. With a garden floral scene in the style of Chinese Wanli period pieces. Unmarked at base Arita ware, also known as Arita-yaki, has it...

A beautiful, large woodblock print by American master printmaker Clifton Karhu who lived in Japan for over 50 years. Karhu's work gained great e...

From Japan, a beautiful hand-built, hand painted and glazed, blue and white "floral" tea bowl from the late Edo to earlhy Meiji period, 19th century, likely from an Arita pottery Kil...

Cast brass Japanese vase . Can be used as umbrella /stick stand

Meiji period, depicting an elephant being attacked by two tigers, with Japanese mark on the base. Rendered in impressive naturalistic detail, this charming model dates to the Japa...

Unusual Japanese Imari Vase and cover, possibly for the Turkish market. Very heavy. Height 62cm Diameter 31

Works of Nobuyoshi Araki Book Complete Collection 1-20 plus special book Nobuyoshi Araki Book Satchin and His Brother Mabo / 1stn in 1997 The works of Nobuyoshi Araki Book collection complete 1-20 published in Japan in 1996 by Heibonsha Limited, Publisher. 21 books complete collection limited edition. Embark on a visual journey through the prolific artistry of Nobuyoshi Araki with the "Works of Nobuyoshi Araki Book Complete Collection 1-20." This limited edition set, published in Japan in 1996 by Heibonsha Limited, Publisher, comprises 21 books that encapsulate the diverse facets of Araki's creative genius. Nobuyoshi Araki, born on May 25, 1940, is a revered Japanese photographer...

Japanese Bronze Koi Fish Sculpture. This well executed Japanese bronze Koi or Goldfish sculpture has a beautiful patinated verdigris finish and will...

Japan, late Edo, two big octagonal covered shell game boxes resting on footed stands, with makie-e decorations depicting flowering vines on a black lacquer ground, They are still in ...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theater. This mask is handcrafted and hand-carved from natural wood and signed/sealed by the maker on the underside. This mask is the mask of Waka-Onna - or young beautiful woman. It may be that of Ko-omote. Ko-omote translates as "little mask" or sometimes "small face...

This is a silk jacket which was made in Japan. It was made in Showa era around 1980s. The haori is a traditional Japanese hip- or thigh-length jacket worn over a kimono. Resembling ...

Lovely piece with beautiful scene in kutani colors. Really top quality in its sort. With mark at the base. Additional information: Material: Porcelain & Pottery Japanese Style: Kuta...

Antique (19th century) Chinese hand-carved table with inset marble top with two stretchers.

A pair of large antique Japanese Meiji Era enamel over brass vases attributed to Hayashi Kodenji, Japanese, 1831 to 1915. Circa: 1900s. Unsigned. The baluster form vase is enameled with polychrome images of gold sparrows in blossoming flowers made in the Cloisonne technique. Hayashi Kodenji was a pivotal figure in the history of Cloisonne enamel manufacturer. He was instrumental in the formation and leadership of the Shippo cho enamellers guild, and it is probable that he worked for the Nagoya-based Shippo Kaisha. He exhibited and won prizes at many international exhibitions: Nuremberg 1885 Silver, Paris 1889...

1900s brass (possibly bronze) jardineres with finely detailed dragon motif and pierced rim detail.

A wonderful Mingei woodblock print featuring the Buddha or Bodhisattva by famed Japanese master Showa era printmaker/ artist Shiko Munakata (棟方志功 ) who is regarded by many as one of ...

Axis: Vertical 194 cm, Horizontal 49.5 cm Inside: Vertical 126 cm, Horizontal 37 cm *Some errors will occur in the dimensions. Please understand. Status I don't know the details of...

Introducing an exceptional round table that can be said to be the culmination of Taisho-era craftsmanship. It features tapered legs that narrow towards the base, giving it a delica...

Amazing Japanese Taisho period two-panel byobu screen depicting a colorful rooster and hen in a bamboo landscape. The large painting features vibrant ink and color natural pigments o...

A Japanese Satsuma Round box with lid. Marked base. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: 19th century Japanese Style: Satsuma Japan ...