15th Century and Earlier Furniture

66.90 Gram lovely Kunzite Specimen With Muscovite From Kunar, Afghanistan Weight: 66.90 gram Dimension: 5.9 x 3.2 x 2.5 Cm Origin: Kunar, Afghanistan Kunzite is the best-known variety of the mineral spodumene. It's named after famed gemologist George Frederick Kunz, who was the first to identify it as a unique variety of spodumene. Kunzite gets its delicate color from trace amounts of manganese Kunzite is used for stimulating your crown chakra and your heart chakra. This means it might give you high vibrations and spiritual attunement. It is often associated with love because wearing kunzite jewelry...

Pair of Hand Carved Coffered Ceiling Meams, Cordoba, Spain

41.58 Gram Lovely Kunzite Crystal From Kunar, Afghanistan Weight: 41.58 Gram Dimension: 4 x 4.2 x 1.3 Cm Origin: Kunar, Afghanistan According to metaphysical beliefs, kunzite is ...

206.15 Gram Amazing Rare Afghanite Specimen From Badakhshan, Afghanistan Weight: 206.15 Gram Dimension: 8.3 x 4.8 x 4.3 Cm Origin: Badakhshan, Afghanis...

This small head of a ceramic figure with a bird headdress is probably Pre-Columbian. It seems to originate from the territory of present-day Mexico. Fur...

Indonesian small sized petrified wood platter. Sliced from a petrified palm tree. Black center with gold border.

The dog faces forward, with clearly defined eyes that stand out. Its ears are slightly curled, giving the impression of a relaxed, natural stance. The collar around its neck, connect...

The very early antique wooden Burmese Monk statue is a remarkable and historically significant artifact originating from Burma. Crafted from wood, this statue stands at 19.2 cm in height and measures 11.6 cm in width and 8.2 cm in depth. Created in the Ava style, known for its graceful and refined forms, this wooden Monk statue...

Mask of a bearded deity, short beard and hair braided in the characteristic high hairstyle, with layered ringlets on either side. 4 cm (h) Green patina ...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

69.19 Gram Pretty Emerald Specimen From Swat Valley, Pakistan Weight: 69.19 Gram Dimension: 4.7 x 4.1 x 2.8 Cm Origin: Swat Valley, Khyber Pukhtunkhuwa Province, Pakistan Emera...

Incredible Loose Bi-Color Tourmaline Drilled Craving From Africa WEIGHT: 31.00 Carat DIMENSIONS: 2.5 x 2.2 x 0.6 Cm ORIGIN: Madagascar, Africa Color : Pink and Green TREATMENT...

Little plate from my collection, now on sale after 35 yeas and never exibited to the public. Simply elegant for any useon any elegant table. See all the others published under my na...

Mayan Bichrome Tripod Bowl (Usulatan Ware). Quiche Area, Guatemala. C. 200 - 950 CE/ Mayan. Intact with small rim chip. Light orange and dark Mayan bowl is ...

Baptiphere Gothic period -Spain-Galicia (probably granite) The baptisphere was at the time attached to a wall Delivery in Belgium, France and abroad.    

Beautiful Bi Color Tourmaline Crystal From Afghanistan Weight: 30.10 Carat Dim: 3.6 x 1.6 x 0.9 Cm Origin : Afghanistan Tourmaline is a...

This miniature ceramic table is from Shanxi Province and may have been made to represent Mingqi, a type of ancient Chinese burial good. Mingqi were plac...

Stunning Bi-Color Tourmaline From Paprook Mine, Afghanistan WEIGHT: 45.85 Carat DIMENSIONS: 3.2 x 1.8 x 0.8 Cm ORIGIN: Nooristan, Afghanistan Color : Green and Pink TREATMENT: ...

12.57 Elegant Trio Aquamarine Specimen Attached With Schorl From Pakistan Weight: 12.57 gram Dimension: 3.3 x 3.6 x 2 Cm Origin: Shigar Valley, Skardu District, Gilgit Baltistan Pr...

The head is rounded, with minimal detailing of the beak, eyes, and comb. The neck is thick and solid, seamlessly transitioning into the body, which appears sturdy and compact, giving...

Egyptian Carved Stone Head Sculpture, mounted on ebonized pedestal. 56.5" H x 12.75" W x 12.75" D. Provenance: From an Upper East Side Collection. Keywords: Statue, Portrait Bust, Po...

Beautiful and Impressive Fragment of a Multicolor Banner with Ocher, Red and Purple with Geometric Designs with Birds and Mythic Creatures in Horizontal Bands. This piece is accomp...

A ceramic tea bowl with milky white glaze made in Korea for Japanese market circa 16-17th century. The thinly potted bowl is in the shape called Hatazori-gata (curving-lip type) that is known as Komogai (or Kumagawa) type. It was named after the historical port of Komogai, close to Bushan in Gyongsangnam-do, southern coast of Korea, where these bowls were traded and exported to Japan in the 16-17th century. The white glaze that covers nearly the entire surface resembles the color and texture of eggshell, therefore is known as Tamago-de. This type of glaze is rather rare, and few examples exist. It was believed that the Tamago-de glaze was only made in Korea from late 16th to mid-17th century during Japan's Edo period. The tea bowl on offer bears typical characteristic of Tamago-de glaze. The smooth milky color glaze shows a fine crackle with scattered spots of flakes exposing the dark clay underneath. The glaze on the rim was largely worn off, so was on the base. There is a subtle indentation on the bottom of the interior known as kagami (tea pool). The ring base is relatively thick compared to the base and trimmed by the potter's knife. It appears delicate to the eyes, but it feels strong in the hands. The bowl comes with a fabric pouch...

46.55 Carat Stunning Bi Color Drilled Tourmaline Carving From Madagascar Africa Bicolor Tourmaline Carved Weight: 46.55 Carats Dimension: 3.3 x ...

Chinese porcelain bowl made of glazed porcelain adorned with flowers petal and engravings. 12th-14th century, Sung period.

Made from the standard orange earthenware body of Han green glazed tomb models, this miniature milling station features a circular millstone and a foot...

20.68 Gram Pretty Demantoid Garnet Specimen Weight: 20.68 Gram Dimension: 2.2 x 2.9 x 2.7 Cm Origin: Belqeys Mountains ( Koh-e-Belgheys), Iran Color: Green Demantoid is the green gemstone variety of the mineral andradite, a member of the garnet group of Minerals. Andradite is a calcium- and iron-rich garnet. The chemical formula is Ca₃Fe₂(SiO₄)₃ with chromium substitution as the cause of the demantoid green color. Ferric iron is the cause of the yellow in the stone Demantoid was a popular gemstone during the Belle Époque period (1890-1915), especially in Art Nouveau jewelry. The Russian Czars...

312.34 Gram Glamorous Topaz Specimen From Skardu, Gilgit Baltistan, Pakistan Weight: 312.34 Gram Dimension: 8.9 x 7.5 x 4.3 Cm Origin: Skardu, Gilgit Baltistan, Pakistan Topaz i...

The jar is sturdily potted with an oval shaped body carved with overlapping lotus petals below the straight neck. All covered with a crackled glaze of olive-green color with the exce...

289.99 Gram Albite With Feldspar Specimen From Skardu, Pakistan Weight: 289.99 Gram Dimension: 7.8 x 8.8 x 5.8 Cm Origin: Skardu, Pakistan Feldspar is the name given to a group o...

59.60 Carat Adorable Morganite Crystal From Kunar, Afghanistan Weight: 59.60 Carat Dimension: 1.5 x 3.7 x 1.8 Cm Origin: Kunar, Afghanistan With ...

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Glazed stoneware adorned with combed vegetable engravings with cylindrical base. 12th-14th century, Sung period.  

20.81 Gram Indicolite Blue Tourmaline Crystal With Albite From Afghanistan Weight: 20.81 gram Dimension : 5 x 2.4 x 1.9 Cm Origin: Kunar, Afghanistan Tourmaline is a crystalline ...

The lamp shaped as a kneeling female figure wearing long robes, her face with a large nose, deep-set eyes and pronounced cheeks, holding an infant in her lap, her cylindrical and elo...

A collection of three small Chinese Neolithic pottery jars consisting a red slender jar with large double ears, a grey and wide short jar wit...

18.82 Gram Elegant Aquamarine Crystal Bunch From Skardu Valley , Pakistan Weight: 18.82 Gram Dimension: 3.9 x 3.7 x 2 Cm Origin: Shigar Valley, Skardu District, Gilgit Baltistan P...

A naturally occurring blue-green botryoidal chrysocolla mineral specimen, originating from Kalukuluku in Congo and presented on one of our exclusive painted plaster display plinths. Defined by its vibrant colour, chrysocolla forms as crusts where copper minerals...

This small ewer is an exquisite example of Qingbai ware, known for its pale blue-tinged glaze. The vessel showcases the advanced ceramic techniques and artistic sophistication of the...

Technique: Tempera and oil on wood Dimensions: 25 x 11 x 8 cm Description: This exceptional work from the 12th century represents the Seated Virgin with Child (Sedes Sapientiae), standing out as an artistic treasure from medieval Spain. The portrayal of the Virgin enthroned with the Child on her lap is emblematic of Romanesque art, and this particular piece is a valuable and authentic example of that era. The current polychromy belongs to the Gothic period and overlays the original Romanesque layer. It is crucial to highlight that the current state of the artwork is the original, without any cleaning interventions, imparting a unique authenticity. The work exhibits architectural characteristics typical of Romanesque art, evident in the sides of the throne. The rigidity and symmetry characteristic of this style are reflected in the firm presentation of the Baby Jesus, noticeable in his gesture while holding his son. The Virgin wears a crown, symbolizing her royal character as the Queen of Heaven and Creation. Both figures retain traces of polychromy on the face and attire, adding layers of history and authenticity. While similar Romanesque Virgin...

Court lady. Terracotta. China, Han period. 206 BC H 25,5cm. W 9cm. D 7cm. 1200€.

A large natural pyrite specimen. Originating from 5/15 level Wheal Jane Mine, Cornwall, this native British pyrite has a lustrous exterior that catches the light beautifully. Natura...

Little plate from my collection, now on sale after 35 years and never exhibited to the public. Simply elegant, for any use on any elegant table. See all the others published under my...

Set of 10 (8 + 2) mahogany Chippendale style dining chairs These chairs stand upon square legs with an “h” frame for extra strength Circa 1900 We have various dining tables to match ...

Daoist sage, official, or possibly a Buddhist acolyte. A large, thick and heavy cast iron statue of a head. Custom vintage carved hardwood stand finishes off this outstanding and decorative bust, circa 10th...

Weight: 70.85 Carats Dimension: 3.5 x 2.4 x 0.7 Cm Origin: Africa Colour: Red Pink and Green Shape: Carving Quality: AAA Tourmaline helps to create a shield around a person or room t...

A Stone grotesque carving c1400 Size 40cms long 22 cms high and 21 cms wide

The pillow is intricately decorated with a vibrant pattern, demonstrating the craftsmanship and artistic sensibilities of the period. The Haitai is a creature from Chinese mythology,...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...

We are delighted to offer this very rare original circa 180+ Million year old Atlas Mountains Morocco Fossil bowl polished to a marble finish They a...

Beautiful Bi Color Tourmaline Crystal From From Kunar Afghanistan Weight: 21.20 Cts Dim: 4.2 x 0.8 x 0.6 Cm Origin: Kunar, Afghanistan Tourmaline is a crystalline silicate...

52.14 Gram Beautiful Aquamarine Specimen With Schorl Spray From Skardu, Pakistan Weight: 52.16 Gram Dimension: 6.1 x 4.5 x 4 Cm Origin: Shigar Valley, Skardu District, Gilgit Balti...

Two granary model porcelains. East Asia, This pottery representation of a granary sits on a layered base, topped with a conical lid that also acts as its roof, all finished in a greyish-blue glaze characteristic of Qingbai ware. The round structure features vertical, embossed strips intersected by a sliding door marked with horizontal lines on one side. Above, a tiled roof completes the model, topped with a central finial that doubles as the lid's handle. The interior of the lid, along with the edge and bottom of the piece, retains the unglazed finish known as biscuit. Period : Song Dynasty(960~1279) Type : Porcelain Model Medium : Qingbai Dimension : 11 cm(Height), 9cm(Lid Diameter) Condition : Good Provenance : Acquired in late 1990s from Hongkong Reference : 1) Artemis Gallery...

On offer is an early Buddha image from Dvaravati period (6-11th century) in Central Thailand. Made of stucco with an unfinished back suggesting its original use in architectural cont...

Two pieces of a pair of encrusted rare Cizao tradeware vessels from Fujian. These items were made for export to Southeast Asia. Southern Song to Yuan Dyn...

This Annamese ceramic plate features a central floral motif rendered in underglaze blue, complemented by delicate green-painted leaves—an innovative characteristic of Annamese ceramics of the time. The rim is adorned with swirling cloud patterns and additional stylized floral designs. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Chimu brown gauze shirt with multiple red and white fringe lines forming V designs like the one around the neck, with very rarely seen sleeves and border fringe in the same material.

Fine Antique Mohajeran Sarouk Rug 4'3'' x 6'9''

Imposing Lokapala figure standing in menacing pose. Terracotta with traces of old color pigments. China, Tang dynasty (618-907 AD.) Museum piece. Lokapalas according to the Buddhist...