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Antique Kazak Rug Old Hand Knotted Caucasian Caucasus Carpet
$4,600
£3,492.89
€3,994.38
CA$6,426.87
A$7,148.08
CHF 3,732.50
MX$86,984.52
NOK 47,669.78
SEK 44,705.85
DKK 29,811.58
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About the Item
This is an antique Kazak Rug from the Caucasus region with nice color composition.
Kazak rugs have a strong folk influence on their design. They house big, bold, dominating geometric patterns on a subtle color backdrop, giving them an edge that differentiates them from other rugs.
The body frame of the carpet has scattered geometric figures all over. These include folk-inspired detached shapes, squares, diamonds, and medallions—sometimes, these designs incorporate animals, trees, and floral motifs.
Swastika, Karachov, Fachlaro, and Bordjalou are some of the typical motifs found on various types of Kazak rugs. These can only be considered general motifs; individual weavers’ interpretation varies widely within the overall format.
With their warm natural colors and robust designs, Kazak rugs are a common sight in discriminating homes worldwide. Used with modern or antique furniture, the good Kazak rug, whether worn or not, adds a new dimension of luxury to a home.
The colors used are vibrant via the rug’s denser dyes. Each rug uses about five to seven colors to create an elaborate effect. The rugs use bright colors like red, blue, green, and ivory. The heavy color draws the observer’s eyes toward the Kazak’s emblazoned geometric patterns
- Dimensions:Width: 48.82 in (124 cm)Length: 61.03 in (155 cm)
- Style:Oushak (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1940s
- Condition:Repaired: Minor repairs, with antique natural dyed wool threads by our repair specialists. Wear consistent with age and use. Minor fading.
- Seller Location:Tokyo, JP
- Reference Number:1stDibs: LU8206241488682
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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- ShippingRetrieving quote...Shipping from: Tokyo, Japan
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Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail.
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Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail.
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