East Asian Chinese and East Asian Rugs

Chinese - Art Deco rug. Measures: 8'2" x 9'6".

Early 20th Century Chinese Silk Carpet 3' 2" x 5' 2"

1930s Chinese Art Deco Carpet ( 9' x 12' - 275 x 365 )

An antique Chinese Peking deco carpet from the first quarter of the 20th century.

Antique Chinese Art Deco rug with pink color background, size: 8'9" x 11'6".

A sweet early 20th century Chinese Art Deco rug with a large vase in one corner, potted with multi-colored peonies, chrystanthemums, and cherry blossoms, and all set against a gold b...

Faded Distressed Khotan rug in a gallery format, circa late 19th century, measures: 6'3" x 12'6" Khotan rugs were produced in Eastern Turke...

1920s Chinese Art Deco Carpet ( 11' 2''x 14' 2'' - 340 x 432 cm )

Large decorative Khotan rug featuring a flower vase design on a soft pinky red background. 8'8'' x 16'2'' Producing rugs since the 17th century with peak production in the 1...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 7".

77328 antique Chinese Art Deco oval rug with traditional chinoiserie style. This hand knotted wool antique Chinese Art Deco rug features a plain neut...

The semi-open burgundy field displays a large exuberantly flowering paeony plant at one end, with attendant vases and flowering stems. Matching floral bouquets ornament the other two...

1930s Chinese Art Deco Carpet ( 8'10'' x 11'10'' x 270 x 360 )

This contemporary 6x9 flatweave is inspired by 18th century Tudor rugs and tapestries—from the European Collection by Rug & Kilim. On the Design: Handwoven in wool, this construction marks the first adaptation of this transitional rug style to a high-low texture. Its all over pattern is a grand play of florals married to that texture, with a brilliant sense of depth and movement therein. The colorway favors teal and red tones over beige, with especially present cream and ochre notes among many accents. Keen eyes will further note the fine detail and remarkable adaptation of scale to an area rug. The whole look is a fabulous modern interpretation of a botanical English classic...

Originating from China, this contemporary runner is hand knotted with durable, high quality wool depicting a patchwork Ghana design, featuring an array of protective hand and medalli...

Handmade antique Art Deco Chinese rug in green and yellow shades. The rug is from the beginning of 20th century in original condition, it has some moth dammages. -condition: orig...

An antique Mongolian room size carpet handmade during the early 20th century with a contemporary Art Deco style geometric pattern in neutral colors. Measures: 9' 2" x 11' 1" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs (sleeping rugs) with simple chessboard allovers. Only a few large antique Tibetan carpets...

This beautifully handwoven Aubusson rug is sure to make a great accent piece in any room it’s introduced too. An ivory blue color makes up the background of this elegant area rug. Th...

Hand knotted in wool, an 8x10 Chinese art deco style rug inspired by rare period pieces of the 1920s Nichols style. On the Design: The design boasts a bold open field from this p...

A vintage Chinese Pictorial rug handmade during the mid-20th century with 2 dragons in ruby red over a green open field. Measures: 8' 11" x 11' 6".

Antique Chinese Bao Tou rug, size: 2'0" x 3'8".

70718 Antique Chinese Art Deco Rug, 03'00 x 04'10. Emanating the quiet elegance of a bygone era, this hand-knotted wool antique Chinese Art Deco rug unfolds like a page from a poetic...

77760 Antique Chinese Art Deco Rug Inspired by Walter Nichols, 12'03 x 19'08. Aside from the rich cultural symbolism attached to each image, the ambiguo...

Handmade antique Art Deco Chinese mat in red and beige wool. The rug is from the beginning of 20th century, in original good condition. ?-condition: ori...

1920s Chinese Art Deco Carpet ( 9' x 11'6" - 275 x 350 )

Antique Chinese Art Deco rug. Size: 3'0" x 5'4".

With a minimalist floral pattern inspired by a rare botanical design with bamboo trees in green and blue, on a beige field and gold border, this 12x15 Chinese Art Deco rug is hand-kn...

An antique Chinese Art Deco accent rug handmade during the early 20th century. Measures: 6' 1" x 8' 5".

Antique Chinese Peking rug. Size: 8'0" x 9'10".

Late 18th Century Chinese Ningxia Carpet ( 13'6" x 16'6" - 412 x 503 )

This late 20th-century Tibetan hand-knotted wool runner is a stunning celebration of vibrant color and intricate design. Woven with hundreds of small circular details reminiscent of ...

Striking and elegant, this vintage Chinese Art Deco area rug features an allover floral pattern set against a rich royal purple field, beautifully complemented by a soft sage green b...

Handmade vintage rug from China made in beige wool. The rug is from the end of 20th century in original good condition. - Condition: Original good, - circa 1970s, - Size: 2....

1920s Chinese Art Deco Carpet ( 8' 11'' x 11' 7" - 272 x 353 cm )

Beautiful antique Chinese Peking hand knotted wool rug with a blue field, orange frame, and multi-color accents in an all-over Classic Chinese floral design. This rug measure: 9' ...

Nice Sinkiang rug late 20th century with beautiful geometrical design and light colors with beige, blue, pink, green, entirely hand knotted with wool velvet on cotton foundations. ✨...

1920s Chinese Art Deco Carpet ( 6' X 8'6" - 183 x 260 cm )

A unique Art Deco carpet distinguished by a sparse and subtle floral tone-on-tone pattern in shades of garnet and amaranth. Rugs of this type were commissioned by Nichols & Co. in Ti...

Mid 19th Century W. Chinese Kansu Carpet ( 11'6" x 12' - 350 x 365 )

1920s Chinese Art Debackground measuring 9' x 11'9" Green background with yellow border.

Antique Chinese Art Deco rug. Size: 9'0" x 11'6".

Mid-18th Century W. Chinese Ningxia Carpet ( 13'6" x 13'10" - 411 x 422 )

1930s Square Chinese Art Deco Carpet ( 11'8" x 12' - 355 x 365 cm )

76703, vintage Persian style rug with traditional style. Opulent and whimsical, this hand knotted wool vintage Persian style rug with traditi...

1920s Round Chinese Art Deco Carpet ( 3' x 3' - 92 x 92 cm )

Early 20th Century Chinese Baotou Carpet with Phoenix 5'6" x 9' - 168 x 274

Chinese Deco Rug Doris Leslie Blau Size: 12'0" × 13'5" (365 × 408 cm) Circa: 1940 Age: Vintage Origin: China Style: Art Deco This exquisite rug is part of the diversified Doris Lesli...

This beautiful antique Ningxia rug from late 19th-century Western China captures a tranquil, painterly landscape scene, rich in cultural symbolism and timeless artistry. Woven in the...

A charming Chinese Art Deco rug with a gray field surrounded by a violet border. The field depicts a flowering cherry tree perched above a scholars rock at the edge of a garden. The ...

An antique Chinese Peking long gallery carpet handmade during the early 20th century in shades of cream and blue. Measures: 5' 9" x 16' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Antique Chinese - Peking rug, size: 9'0" x 11'6".

1920s Chinese Art Deco Carpet ( 9'6" x 13'2" - 290 x 402 )

Hand-knotted in wool, this 8x9 rare antique Chinese Peking rug, circa 1850-1860, is one of the provenance’s most special pictorial rugs in the Rug & Kilim collection. On the Design...

Tsukdruk rugs are possibly the most representative examples of the Tibetan nomadic weaving tradition. Woven with lanolin-rich highland wool, these come in narrow strips constructed o...

1920s Chinese Art Deco Carpet ( 9' x 11'4" - 275 x 345 cm ) with a fuchsia color background

1920s Chinese Art Deco Oval Carpet ( 4' x 6'10" - 122 x 208 )

Discover the exquisite charm of this mid-20th century Chinese Khotan rug, featuring a captivating geometrical design in vibrant yellow, green, and red hues. Entirely hand-knotted wit...

Handwoven in wool, this 7x9 flatweave rug “Acanthus” from China features floral patterns that are often seen in botanical illustrations throughout Aubusson, Tudor, Bessarabian and ot...