Hand-Tufted Mid-Century Rug

Second edition of this compendium of radical and post-modern design produced by the Tuscan-based firm Poltronova from its early collaborations with Ettore Sottsass, who became Art Director in 1958, through the heyday of 1960’s anti-design and to the mid-1970s. Features work by both Old Guard masters and emerging leaders of the Radical Movement including (in addition to Sottsass) Archizoom, Superstudio, Sergio Asti, Gae Aulenti, Angelo Mangiarotti, Allesandro Mendini, Massimo and Lella Vignelli, Gianni Ruffi, Giovanni Michelucchi, Gianfranco Fini, Mario Ceroli, Ugo Nespolo, Roberto Barni, Paolo Portoghesi, Gino Marotta, and the group De Pas, D’Urbino, and Lomazzi. Written by Pier Carlo Santini and published by Artigraf Edizioni in 1996, following its initial run in 1977. 4to, 181 pages with text in Italian; stiff printed wraps with printed brown paper dust jacket. Fully illustrated, primarily in black-and-white. Includes artist biographies. A scarce and significant resource chronicling the contribution of this avant-garde design firm. A crisp, collectible copy with only minor bumping to the dust jacket and extremities. From the estate of design guru Jim Walrod...

Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...

Stacked and fastened "Studio Group" modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainw...

First edition of Bernard Rudofsky’s idiosyncratic and iconoclastic discussion of modern living conditions in postwar America, published by Oxford University Press in 1955. 201 pages, 8vo, hardcover with pictorial dust jacket. Several black-and-white illustrations. Rudofsky (1905-1988), an Austrian/American architect, curator, critic, industrial designer, exhibition designer, fashion designer, and author is best-known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (MoMA, 1944), Architecture Without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt, 1980). He is also famous for his mid-century Bernardo sandal designs, which are popular again today. Behind the Picture Window...

The full track tapestry rug draws inspiration from the tracks run by athletes in the ancient Olympic Games. Mixed neutrals and geometric patterns make up this tapestry rug with a neo...

Panton for Edward Fields custom Op-Art rug. [Signed Edward Fields Panton 23135] on Verso.

Nice mid century Navajo tapestry with a native design and beautiful colors, entirely hand woven with wool on cotton foundation. ✨✨✨ "Experience the epitome of luxury and craftsmansh...

Discover an exquisite modern Zapotec abstract rug handcrafted by master weaver Roman Gutierrez in Oaxaca, Mexico. This luxurious, contemporary Mexican rug features a stunning palette of red wine, fuchsia, and light mustard hues—each tone carefully created using cozy, premium wool that is hand-dyed with natural pigments. Roman Gutierrez, celebrated as one of Mexico’s most talented weavers, seamlessly blends ancient Zapotec techniques with a modern aesthetic. His unparalleled craftsmanship has earned him collaborations with renowned contemporary artist Francisco Toledo and participation in restoration projects for prestigious institutions like the Textile Museum of Oaxaca. Perfect for elevating luxury home décor, this artisanal masterpiece not only adds vibrant color and texture to any space but also celebrates the rich cultural heritage of Oaxaca. Shop this one-of-a-kind modern Zapotec rug...