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1850s North and South American Rugs

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Period: 1850s
American 19th Century Hooked Rug Depicting a Dalmatian
Located in Hudson, NY
Hooked and shirred hearth rug, New England, circa 1850s in wool, cotton and linen. This dramatic folk art piece is in excellent condition. Depicting a recu...
Category

Folk Art Antique 1850s North and South American Rugs

Materials

Wool, Cotton, Linen

Mid 19th Century American Ingrain Carpet ( 8' 2'' x 12' 9'' - 250 x 390 cm )
Located in New York, NY
Mid 19th Century American Ingrain Carpet ( 8' 2'' x 12' 9'' - 250 x 390 cm )
Category

American Antique 1850s North and South American Rugs

Materials

Wool

Mid 19th Century American Ingrain Carpet ( 12' 6" x 13' 4" - 381 x 406 cm )
Located in New York, NY
Mid 19th Century American Ingrain Carpet ( 12' 6" x 13' 4" - 381 x 406 cm )
Category

American Antique 1850s North and South American Rugs

Materials

Wool

19th Century American Hooked Rug ( 4'6" x 7' - 137 x 213 )
Located in New York, NY
19th Century American Hooked Rug ( 4'6" x 7' - 137 x 213 )
Category

American Folk Art Antique 1850s North and South American Rugs

Materials

Wool

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Oval Mid-20th Century Handmade American Braided Room Size Carpet
Located in New York, NY
A vintage American Braided oval room size carpet handmade during the mid-20th century. Measures: 9' 5" x 12' 3" North American has never developed a unified handmade rug tradition, but rather it is the unassimilated confluence of several. From Mexico comes the Saltillo serape wearing blanket, and this stimulates the Navajo and Rio Grande (Colorado) weavers, first as blankets, then as rugs. The thrifty habits of rural America gave rise to the New England (and Western Canadian) hooked rug types, while the farmers of the Midwest recycled their disused garments into braided and rag rugs. The closest to a real ongoing tradition are the Southwestern (New Mexican) Navajo rugs. By the 1860’s the native tribes were weaving wearing blankets with wool from the Spanish churro sheep. These were in stripe design, with combinations of undyed wool with cochineal reds and indigo blues. The multi-phase “Chief’s Blankets” from the 1870’s-80’s are a natural outgrowth of these. Machine spun red wool from Germantown in Pennsylvania appeared in the 1870’s with a bright red hitherto unobtainable. The weavers loved it and blankets appeared with bright reds, generally aniline, in “eye dazzler” patterns. Anglo traders established posts beginning in the 1890’s. Navajo weavings were perfect accompaniments not only for Western-themed decors, but for East Coast apartments, only they needed to be thicker and more rug like to be truly accepted. The traders brought Caucasian and Turkish village rugs to copy, borders were introduced and central medallions devised. The weavers continued to create on vertical looms, with a shared warp (dovetailing) weft structure to avoid slits. The warps were cotton string. Sizes were generally scatters, but occasionally a special order came in, hence antique room size Navajos are very rare and very pricey. Distinct village/pueblo styles developed. Among the best are: Two Grey Hills (considered the tightest, closest of all Navajo weaving), Crystal Springs and Ganado. Certain new patterns such as the “Storm pattern” with jagged lightning bolts emanating from a dark cloud developed. The Yei rug with dancing Kachina doll figures became popular. The palette has been expanded beyond the classic grey, tan, dark brown and cream natural wool combination to again include reds, blue and greens. Navajo pictorials include: American flags, trains and automobiles, domestic and local scenes and scenery. Individual artist weavers now command gallery shows and correspondingly elevated prices. There are several levels of Navajo work, and antique and vintage scatters with simple flat designs, medium weaves and tritonal palettes, and in good floor worthy condition are still available reasonably. The Native American weaving tradition extends into Colorado with two piece scatters with sharp sawtooth medallions and striped end borders, with wool tapestry weave on cotton warps. These descend from the Saltillo blankets...
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American American Classical 1850s North and South American Rugs

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Mid-20th Century Handmade American Rag Rug
Located in New York, NY
A vintage American rag rug handmade during the mid-20th century. Measures: 3' 6" x 5' 8" North American rugs & carpets: North American has never developed a unified handmade rug tradition, but rather it is the unassimilated confluence of several. From Mexico comes the Saltillo serape wearing blanket, and this stimulates the Navajo and Rio Grande (Colorado) weavers, first as blankets, then as rugs. The thrifty habits of rural America gave rise to the New England (and Western Canadian) hooked rug types, while the farmers of the Midwest recycled their disused garments into braided and rag rugs. The closest to a real ongoing tradition are the Southwestern (New Mexican) Navajo rugs. By the 1860s the native tribes were weaving wearing blankets with wool from the Spanish churro sheep. These were in stripe design, with combinations of undyed wool with cochineal reds and indigo blues. The multi-phase “Chief’s Blankets” from the 1870s-80s are a natural outgrowth of these. Machine spun red wool from Germantown in Pennsylvania appeared in the 1870s with a bright red hitherto unobtainable. The weavers loved it and blankets appeared with bright reds, generally aniline, in “eye dazzler” patterns. Anglo traders established posts beginning in the 1890s. Navajo weavings were perfect accompaniments not only for Western-themed decors, but for East Coast apartments, only they needed to be thicker and more rug like to be truly accepted. The traders brought Caucasian and Turkish village rugs to copy, borders were introduced and central medallions devised. The weavers continued to create on vertical looms, with a shared warp (dovetailing) weft structure to avoid slits. The warps were cotton string. Sizes were generally scatters, but occasionally a special order came in, hence antique room size Navajos are very rare and very pricey. Distinct village/pueblo styles developed. Among the best are: Two Grey Hills (considered the tightest, closest of all Navajo weaving), Crystal Springs, and Ganado. Certain new patterns such as the “Storm pattern” with jagged lightning bolts emanating from a dark cloud developed. The Yei rug with dancing Kachina doll figures became popular. The palette has been expanded beyond the classic grey, tan, dark brown, and cream natural wool combination to again include reds, blues, and greens. Navajo pictorials include American flags, trains, and automobiles, domestic and local scenes and scenery. Individual artist weavers now command gallery shows and correspondingly elevated prices. There are several levels of Navajo work, and antique and vintage scatters with simple flat designs, medium weaves, and tritonal palettes, and in good floor worthy condition are still available reasonably. The Native American weaving tradition extends into Colorado with two-piece scatters with sharp sawtooth medallions and striped end borders, with wool tapestry weave on cotton warps. These descend from the Saltillo blankets...
Category

American Folk Art 1850s North and South American Rugs

Materials

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Mid-20th Century Handmade American Braided Round / Circular Accent Carpet
Located in New York, NY
A vintage American Braid round/circular accent rug handmade during the mid-20th century. Measures: 7' 1" x 7' 1".
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Saltillo Serape Mexican Blanket, 19th Century
H 76.38 in W 44.89 in D 0.2 in
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Located in New York, NY
A vintage American folk rag rug in accent rug format handmade during the mid-20th century. Measures: 5' 10" x 8' 7".
Category

American Folk Art 1850s North and South American Rugs

Materials

Wool

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Located in Barrington, IL
This charming early American hand-hooked rug was crafted in the early 1900s in the New England region of the United States. Featuring a classic floral design, the rug displays blossoms in brilliant vintage tones, radiating warmth, character, and nostalgic beauty. Antique hooked rugs are celebrated for their unique blend of folk art creativity and unpretentious simplicity. This piece is a wonderful example—both artistic and heartfelt—showcasing the resourcefulness and imaginative spirit of its maker. Created from repurposed materials and hand-dyed wool, it reflects a tradition where everyday utility met artistic expression. A delightful and authentic piece of Americana, ideal for collectors of folk art or anyone drawn to the beauty of handmade heritage. Dimensions: 2’ 1” x 3’ 4” Date of Manufacture: Early 1900s Place of Origin: America Material: Wool and cotton pile on a burlap foundation Condition: Wear consistent with age and use The Persian Knot, SKU 1451 American Hooked Rugs, Vintage Hooked Rugs, Early American Hooked Rugs, American Rag Rugs, Antique Rug, Antique Rugs, Antique Carpets, Vintage Carpets, Handwoven Rugs, Vintage Artisan Rugs, Antique Handmade Rugs, Sustainability, Vintage Distressed Rugs, Allover Design Rug, Mid Century Modern Rugs, Vintage Rag Rugs, Vintage Wool Rag Rugs...
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