1950s Pair of Erwine and Estelle Laverne Lotus Arm Chairs in White Fiberglass

These are DFAW Armchairs in Parchment Fiberglass with Walnut Dowel Bases, initially designed by Charles and Ray Eames in 1950. These examples hail from 2016. The listed price include...

This is a pair of envelope chairs, originally designed by Ward Bennett in 1966. This particular pair was produced by Geiger in the 2010s. The listed price includes the pair of chairs...

Listed for sale is a single (four chairs are available, though the price listed is for each chair) bucket chair designed by Nicos Zographos and produced by Zographos Designs circa mi...

This is a Bumper lounge chair, originally designed by Ward Bennett in 1964. Each of the two chairs available was produced by Geiger International in 2019. The listed price includes o...

Set of 4 mid-century white resin tulip armchairs with vinyl seat cushions and painted metal pedestal bases (EERO SAARINEN FOR KNOLL) Scratches in finish to chairs and bases and wear...

With a unique sleek design, this pair of vintage chairs styled after Hans Wegner is sure to stand out. Please confirm item location with seller (N...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of low armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery. Measurements 70 cm x 53 cm x 71 H cm. 27.5 in x 21 in x 28 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Malatesta and Mason pair of sculptural armchairs consisting of ivory bouclé upholstered curved high backs and seats and figural wood arms and legs. These organically sinuous armchair...