Art Nouveau Armchair, Belgium, C. 1900

Single walnut armchair by Jules Leleu An identical chair was shown at the Leleu exhibition, Chefs d’oeuvre de l’Afrique noire, in Leleu’s showroom on the Avenue Franklin-Roosevelt, ...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional techniques. Egan emphasizes unique form and structure, and is focused on coaxing subtle sensibilities to the fore. Crafted with traditional fabrication methods, her pieces perform the unimagined. Obsessed with the curvaceous, she breathes life into materials that are typically heavy and rigid with her light, inspired revelations of line—with playful forms and luxury concealments that explore the theme of doubling and the play of shadow and reflection alike. Inspired by power structures found in nature, the Zephyr chair...

This pair of cabriolet armchairs are constructed with oak frames with an upholstered seat and back, its elegant curves contrasting with its sharp lines. The angled armrests finish in...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional techniques. Egan emphasizes unique form and structure, and is focused on coaxing subtle sensibilities to the fore. Crafted with traditional fabrication methods, her pieces perform the unimagined. Obsessed with the curvaceous, she breathes life into materials that are typically heavy and rigid with her light, inspired revelations of line—with playful forms and luxury concealments that explore the theme of doubling and the play of shadow and reflection alike. Inspired by power structures found in nature, the Zephyr chair...

This gracefully curved Art Nouveau armchair, designed by the Belgian artist Henry van de Velde, stands as an elegant testament to the fluid, organic aesthetics of the turn of the 20t...

Art Nouveau Armchair by Henry Van de Velde, Belgium, 1908

Adolf Loos (1870 - 1933) designed the chair model shown here in 1899 based on an English model as part of his earliest work as an interior designer for the dining room in Eugen Stössler's apartment in Vienna. The omission of the front supports of the armrests and the backwards curved legs lend the early chair a touch of elegance. Instead of the turned legs of the English model, Loos used smooth round wood with brass feet to protect the carpet. So these ankle cuffs fulfill a practical purpose and at the same time have a decorative effect. They thus correspond to Loos' demand for a 'unity of form and function'. Beautifully shaped furniture made by hand in high quality, solid walnut and veneered, shellac hand-polished, upholstered seat and covered with leather, brass nails and brass shoes. Execution: Friedrich Otto Schmidt, Vienna, circa 1900 Model number 6865 The model was produced by the company F. O. Schmidt and was also in their offer at the time. This explains why this chair model, specially designed by Loos for one of his interiors, can also be found on the art market. Measures: Total height: 82.0 cm / 32.28 in Seat height: 47.0 cm / 18.50 in Width: 57.0 cm / 22.44 in Depth: 50.0 cm / 19.68 in Bibliography: - The dining room in the Stössler apartment was published in 1900 in the Viennese arts and crafts...

2 Art Nouveau Armchairs, circa 1900 In lacquered wood, gilded wood and bronze No breakage but there are some cracks.